Elin Cullhed’s Euphoria has received another rave review, this time from Vi Läser magazine.

“It’s liberating that Cullhed does not interpret Plath’s life through its end: the suicide. Instead, she depicts the poets neurotically vibrant, intense joie-de-vivre and tireless attempts to combine family life with her writing. Do you need to have read Plath to read this novel? No. This is a wonderful portrait of a sensitive person’s struggle to make life work.”

Euphoria was published in Sweden by Wahlström & Widstrand on March 1st.

After the Sun by Jonas Eika has received another early media hit in the US, and was featured in Refinery29’s round up of “Books You’ll Want to Read This Summer.”

“An urgent, deliriously discomforting reflection of how we’re all connected with one another — and what it is we expect in exchange for that kind of access. Eika holds nothing back in his fiction, he goes into the tightest of spaces and most intimate and terrifying of moments in order to breakthrough to places few have been before — or even imagined existing.”

You can see the list here.

After the Sun will be published in the US by Riverhead on August 24th.

Tove Alsterdal has gotten a fantastic review from Politiken in Denmark for her latest novel We Know You Remember:

“If you’re an aspiring crime writer who wants to know how to start a book, you ought to read Tove Alsterdal’s new crime novel We Know You Remember, and then revisit the two first chapters. If you do so, you will see how masterfully and superbly you can introduce characters, milieus, and motifs (even the criminal ones); how an author with such effortless elegance can place crumbs along the path that readers follow – and without us ever even being aware of it. […] Alsterdal updates the collective narrative about [the area of Ådalen]. She portrays the sparsely populated yet large area with a poetic duality that clings to both plot and atmosphere. It is picturesque and hopeless at the same time. It is eerily secluded; the perfect fertile soil for loneliness to grow. But there are also fragrant buttercups and willowherbs and wild chervil growing along the side of the road, and trees as far as the eye can reach. Ådalen can also be the very epitome of freedom.”
Politiken, 5/6 stars (DK)

The Danish edition of We Know You Remember was published by Modtryk in May, 2021.

The Survivors by Alex Schulman has received yet another rave review, this time by Norwegian Bok 365.

“Alex Schulman has chosen to tell a heartfelt and dark family drama in The Survivors – a novel that earns its title. […] Schulman also elegantly shows how there are different stories, truths, and realities within the three brothers as the story progresses – and regresses. […] The images that Schulman paints are exceptionally beautiful. […] Schulman can deliver these linguistic images without ever making them seem too much or pretentious, never affected or constructed.”

The Survivors was published in Norway by Gyldendal on January 8th.

Mattias Edvardsson’s book The House Next Door has received a rave review from Slovakian Break in their list of top thrilling books to read.

“Mattias Edvardsson, a master of portraying character-psychology and relationships, is now releasing The House Next Door. The story of Micke and Bianca is told through a thrilling psychological novel about a crime which reveals the pitfalls within neighborly relations.”

You can read the full list here!

The Slovakian edition of The House Next Door was published by Ikar on March 2^nd.

After the Sun by Jonas Eika has received its first pre-publication review in the US.

“Five surreal, globe-spanning stories shape Eika’s startling English-language debut…Studded with shockingly visceral images, these lyrical stories are preoccupied with a sense of psychosexual loneliness that penetrates even the most absurd moments of escapism. […] Eika’s fusing of the magic realist mode with the alienation of modernity makes for a winning formula.”
Publishers Weekly

You can see the review here.

After the Sun will be published in the US by Riverhead on August 24th.

Johanna Mo’s The Shadow Lily has received an excellent pre-review by Swedish BTJ.

“The author is stylistically excellent and precise as she constructs her narrative. Every sentence seems well thought-ought. (…) With meticulously chosen words and an effortlessly constructed narrative she succeeds in making the reader experience grand imagery through small means.”

The Shadow Lily will be published in Sweden on June 15^th by Romanus & Selling.

Mattias Edvardsson’s book A Nearly Normal Family has received wonderful praise from Spanish Elle Magazine, calling it the ‘thriller noir’ that is going to be one of the bestsellers of the summer, and surely your next novel underneath the beach umbrella.

A Nearly Normal Family is published in Spain by Salamandra.

Alex Schulman continues to receive critical praise in Denmark, this time from Politiken:

“Swedish journalist and author Alex Schulman directs the drama The Survivors with an impressive sense for suspense and shifts in scenes. The story of three men who were once children in the same dysfunctional family keeps its secrets so close that reading it evolves into an intense close scrutiny. […] But it is not the narrative technique that ends in an ambush of blinking blue lights that is what’s most remarkable about Schulman’s novel – the veiled tragedy becomes almost too surprising. Instead, it is his fine ear for dissonance, for distant death. […] The novel rises to a breathtaking story of one family’s disintegrating microbiology, while nature’s own microbiology decays in turn. […] Ominous, grandiose – beautiful.”

Alex Schulman’s The Survivors continues to receive praise in The Netherlands. Here’s an excerpt from a new, fantastic review:

“The Survivors is not just another coming of age drama about a family plagued by alcohol abuse and aggression. It is more subtle: each son deals in his own way with what must be a very confusing upbringing and when they are adults their paths cross or run parallel, but in the smallest actions there are traces of the past and of an unspoken tragedy. With an effortlessness that is enviable, this 45-years-old Swede proves that you don’t need a kilogram of paper to write an in-depth family chronicle. […] More than one scene from The Survivors will stay with the reader forever. Never again will you look at a fish in a frying pan in the same way, or a transformer cabinet, or a cooling swim in a lake. The not-a-word-too-much-or-too-little style reminiscent of Julian Barnes’ The Sense of an Ending, the nostalgia of Wallace Stegner’s Crossing to Safety. With The Survivors Schulman proves in his own way that not only can literature satisfy escapist hunger, but also bring it ruthlessly close to reality.”
HUMO

Camilla Grebe’s The Lies We Tell and Tove Alsterdal’s We Know You Remember have both just been published in Denmark, and in this rave review Jyllands-Posten‘s critic praises them both.

“In the abundance of Swedish crime […] Camilla Grebe and Tove Alsterdal distinguish themselves as two crime writers who succeed particularly well in combining the very private with the very public, and who highlight current debates about ethnic and social equality, identity politics and diversity as urgent topics. […] Both Grebe and Alsterdal offer superb mastery of surprising plot, tons of atmosphere, and clever reflection of urgent topics in society – to the very last page.”

The Danish edition of The Lies We Tell was published by Lindhardt & Ringhof and We Know You Remember by Modtryk

Alex Schulman’s The Survivors is out in The Netherlands this week and in a first rave review, Flemish newspaper De Standaard‘s critic concludes that this is the summer read of 2021:

“It has been long since I was this hooked by a novel. Here are four reasons why The Survivors ought to be the holiday read of 2021. The first reason is the most difficult to reveal without giving away the genius plot. […] The second reason is the craftsmanship. The narrative shifts smoothly between present and past. […] An then the third reason: Schulman can write. […] Beautiful scenes that are authentic and spot on can be found on every page. […] Finally, reason four: the interplay of genres. What starts out as a seemingly relaxing holiday read quickly evolves into a bildungsroman that focuses on the universal function and (more than you would like) dysfunction of a family. […] The end result is a chilling cocktail of loneliness, solipsism, and yet also of diffusive empathy.”
De Standaard

Sofia Rönnow Pessah’s  The Men in My Life was recently published in Denmark to wonderful critical praise. Notably, Politiken states: “Rönnow Pessah skillfully writes herself into a group of young authors; authors who simultaneously celebrate and self destructively confess a life of depression, lust and monumental dreams.”

The Men in My Life is published in Denmark by Turbine.

Johan Anderberg’s The Herd has just been launched in Sweden and the first reviews are fantastic. Here’s an excerpt from Barometern‘s review:

“The Herd is exemplary journalism of the kind that comes close to the truth through skilled craftsmanship. Anderberg portrays the events in the right order. He relies on relevant facts. He puts the last year in a historical context. He examines without preconceived opinions. […] Anderberg’s book is like a corona commission in its own right and a beautiful example of the important role journalism plays in the service of the truth.”

Ulrika Rolfsdotter keeps getting praise for Heart of Prey. Here’s a rave review from the national library review publication BTJ:

“When Annie Ljung’s mother who has dementia is found outside in the cold in a confused state, Annie is forced to return to her hometown. Something she never planned to do, after what happened there once long ago. For the protagonist, this is the beginning of an upsetting confrontation with ghosts from her past and an old darkness in the area that traces far back in time. Heart of Prey is an incredibly strong debut that brings fresh blood to the abundance of Swedish crime novels. The book is balanced in tone and style and the characters and milieus are beautifully portrayed. It is an urgent and moving topic, and a suspenseful and captivating plot with elements of folklore and mystery that calls the mind to Kerstin Ekman’s Blackwater (1993). It leaves you begging for more of Annie Ljung.”

Christoffer Carlsson keeps getting praise for Blaze Me a Sun. Here’s an excerpt from a rave review from Borås Tidning:

“Christoffer Carlsson’s storytelling is unhurried and exact, creating a vibrating atmosphere and seething tension. The whole area comes to life, both the inhabited and empty houses. Blaze Me a Sun is a vividly real depiction of Halland noir, a part of the forgotten Sweden.”

Ulrika Rolfsdotter has received yet another rave review for Heart of Prey, in which the critic predicts that she will receive many awards for her debut novel:

“Many awards ought to end up with this debut writer; this is incredibly good! […] With restrained storytelling through two short chapters, [Rolfsdotter] quickly turns two completely new characters to human beings full of life. Annie and Sven are people who carry most of the narrative perspective in this novel. After only a few pages, we are well acquainted with them, as with the core of the story. It is tremendously skilfully done! […] What I love the most are cleverly composed symphonies where we at all times move between calm and intense passages. This text reminds me of Bolero by Ravel, that is a constant movement from calmness towards an ever increasing intensity. And I like Bolero, a lot. […] Multiple endings is nothing new, but it is rarely as well done as here. Right when you think you know what’s happened, another question arises that begs for answers. The plot thickens, Bolero’s kettledrums thunders even more vehemently. To me it goes without saying that this book will be on the shortlist for the award for Best Crime Debut this year.”
Kapprakt

The critical praise for Stolen by Ann-Helén Laestadius keep pouring in, and here’s a new rave review from Hufvudstadsbladet:

“Laestadius elegantly balances around the Sami elements, highlighting the cultural characteristics of the community without making it sound exotic. To provide insight into the culture through the eyes of a child is quite simply brilliant. While nine-year-old Elsa gradually understands what the grownups around her carry and keep silent about, a reader with little insight in Sami matters learn a lot about the situation of the Sami without feeling lectured. […] The reader becomes witness to a process of change, how difficult it is to break a vicious circle in society. Ann-Helén Laestadius’s writing flows seamlessly, with a piercing psychological and keen eye for societal issues. […] I am especially happy about the elegant ending, that beautifully ties the circle together and brings hope of a brighter future, while some threads are left unresolved so the reader can keep guessing what will happen to Elsa, Mattias, Minna, and the rest.”

Ulrika Rolfsdotter has gotten yet another rave review for her debut novel Heart of Prey:

“Ulrika Rolfsdotter’s debut is a welcome surprise. There’s a great appetite for crime novels and the result is a slew of subpar publications but this debut writer really has great promise. Indeed, she may well become this year’s breakout suspense star.”
Gefle Dagblad (SE)

Ulrika Rolfsdotter’s Heart of Prey is now out in Sweden, and in a first rave review, here’s what Göteborgs-Posten’s critic has to say:

“Rolfsdotter really knows plot and how to build suspense. Through the disappearance of 17-year-old Saga, we get to know the people around both her and Annie, while we must wait to learn the answer to what really happened to Annie. The storytelling is propulsive, told through short chapters, and at the same time the milieus are given ample room to really set the atmosphere. […] I can’t wait to return to Annie and this landscape with all of its dramatic history and fantastic nature.”

Göteborgs-Posten also picked Heart of Prey as #7 on their list of the Best Suspense Novels Right Now.

The fantastic reviews for Stolen by Ann-Helén Laestadius keep pouring in, this time from Alingsås Tidning:

“The expectations on Ann-Helén Laestadius adult debut have been huge, and how she delivers! Stolen is a powerful, tragic, accusatory, and enlightening tale about the life of the Sami. […] As a reader it is a pure privilege to experience the rich and complex history of our indigenous people. The novel vibrates with grief, indignation, despair, and love. Laestadius is also a master at portraying everyday life; you can really smell the diesel fumes from the snowmobile mixing with newly-fallen snow, damp lovikka mittens and the sharp odour of the remains of a slaughtered reindeer. […] I could go on and on about all the thoughts and emotions this book awakens in me, but I will settle for these two words: read it!”

Elin Cullhed continues to garner praise for her novel Euphoria:

“Elin Cullhed finds a language that undulates between the poetic and the crassly material, that paints beautiful images and then crushes them against the linoleum floor. She imbues the mythical ‘Sylvia Plath’ with a life that is grand, pitiful and relatable, tragic and drastic with a touch of wry humor. The book ends before the end, in the middle of the manic joy, the forced hope in the future, which doesn’t make it any less painful. Quite the opposite.”
ETC (SE)

Christoffer Carlsson just got a rave review in Go’kväll in SVT for Blaze Me a Sun:

“This is so much more than a crime novel, by the fantastic Christoffer Carlsson. […] His previous novel Under the Storm was incredibly good, I was so taken by it. And Blaze Me a Sun is equally moving. […] This is as much about a series of unsolved murders in the small village of Tiarp as it is a portrayal of Sweden undergoing radical change. […] Christoffer Carlsson writes with such care and attention to his characters. He wants them well. Carlsson is a criminologist and does not write more than what’s necessary about the actual crimes. To him, you can tell that the people are much more important. You get to know them and you really feel for them.”

Christoffer Carlsson has received a rave review by Lotta Olsson at Dagens Nyheter for his latest novel Blaze Me a Sun:

“Few are as confident in their storytelling as Christoffer Carlsson […] He is one of the best stylists of the genre, thoroughly knowledgeable about the classics […] It is a beautiful, melancholy story about how extremely difficult it is to try to clarify what has happened, and as a reader you keep doubting up to the very end: is it true? Has the right killer been singled out? It is brilliantly realistic and heartbreakingly human.”

The first reviews are in for Christoffer Carlsson’s Blaze Me a Sun and they are extremely enthusiastic. Here’s an excerpt from Norra Skåne:

“In Blaze Me a Sun, Christoffer Carlsson captures the enchanting combination of darkness and light, of good and evil, and his Tiarp becomes a place where you want to linger for a long time, despite the frightful story that lies there and that is awakened by the narrator of the book – who in this fictive story also becomes the author of the book. […] Blaze Me a Sun is a phenomenal crime novel with elegantly placed red herrings and gradually building suspense. It is also a thought-provoking portrayal of a moment in time.”

Elin Cullhed is being praised for her new novel Euphoria. Here’s an excerpt from Svenska Dagbladet‘s rave review:

“Euphoria is a novel about motherhood, marriage, and being a writer. It is a raw story told from the inside of a mother, wife and poet’s mind and heart. It is painful and merciless, completely free of glorification. […] Cullhed can make the incantatory first appear repetitive only to then blaze with full force. When every little detail is permitted to expand, Cullhed’s Sylvia grows into an entire world. […] Euphoria is no moral, educational tale. The writer’s Sylvia Plath is a lovable but also capricious and maddeningly provoking person. She is not someone you cheer on without reservation, but Elin Cullhed makes sure that you want to walk by her side – through everything.”

Dorthe Nors has received another fantastic review for the US edition of Wild Swims:

“it’s about time we dove into Nors’s writing. A major voice of contemporary Danish literature […] Wild Swims features Nors at her best. These fourteen stories leave questions unanswered, offering no clear or single resolution to their conflicts. They are kaleidoscopic: a slight shift in perspective leads to an entirely new reading. At the same time, Nors is the queen of concision. Most of the stories in Wild Swims are around five pages long, within which Nors creates complex characters and condenses entire worlds into single sentences. […] The tension Nors—and Hoesktra—create between concision and multiplicity, between contraction and expansion, is in part what makes this collection so impressive.”
Harvard Review (US)

Click here to read the entire review.

Ann-Helén Laestadius’ book Stolen has received a rave review from Sundsvall Tidning.

“To kill the reindeer of a nine-year-old girl is calculated cruelty. And to then threaten her life as she witnesses the crime creates a vulnerability that is difficult to grasp. But thanks to Ann-Helén Laestadius’s sparse, steady prose and tight-knit storytelling it becomes possible. You can feel Elsa’s fear in your gut, and understand why she keeps the secret of who she saw to herself into adulthood. […] Most of all, this is a novel about a young woman, Elsa, growing up. She tenaciously fights the poachers, she demands acceptance among the reindeer herders (and eases the pressure on her brother’s shoulders), she becomes a symbol for the future of her village, and she is the protagonist of a dramatic culmination of almost cinematic proportions. Stolen is both a thrilling page-turner and a story to remember for a long time to come.”

– Sundsvall Tidning

Stolen was published by Romanus & Selling on January 27th 2021.

Stolen has received yet another amazing review, this time from Jönköpings Posten.

“The start of the novel is just as dramatically charged as that of Kerstin Ekman’s Blackwater. […] The first third of the book is exemplary in the portrayal of Elsa as a child, whose language and inner world Laestadius captures impeccably. There, she builds the foundation the entire novel rests upon: the persecution and harassment of the Sami, and how it has continued through generations. […] It becomes a novel about prejudice and hatred, and  Robert’s acts illustrate an extreme form of racism. […] The best trick of fiction is how it can make us feel part of something, and Laestadius does just that. […] Incredibly thrilling.”

– Jönköpings Posten

Stolen was published by Romanus & Selling on January 27th 2021.

Stolen by Ann-Helén Laestadius has gotten yet another rave review, this time from Expressen:

Stolen by Ann-Helén Laestadius has just gotten another stellar review, this time in Norrländska Socialdemokraten:

“Ann-Helén Laestadius beautifully portrays the everyday life of Sami reindeer herders. […] The reader gets to experience the freedom of nature – at times with a silence so deafening it could almoast rupture eardrums. […] Stolen offers empathy, warmth, and poignant drama. It is written with a steady hand.”

Stolen was published by Romanus & Selling on January 27th.

Stolen by Ann-Helén Laestadius has received a rave review in Svenska Dagbladet.

“The heart of the story exists in the feeling of powerless fury Elsa’s father holds towards the police’s disinterested lack of investigation into the poaching of his reindeer. It is there in the bullying of the Sami school children and of the Sami workers in the nearby mine. It is reflected in the large number of young Sami who commit suicide in the area. Ann-Helén Laestadius’s writing is restrained, and at times almost journalistic, yet it has an intensity that vibrates with grief and wrath. Stolen is an important novel that provides insight into modern Sami life. […] This is the first step in a new direction for an author with a crucial message: I will be sure to follow her going forward.”

Stolen was published by Romanus and Selling on January 27th.

Ann-Helén Laestadius has just gotten a fantastic review in Dagens Nyheter for her novel Stolen:

“Stolen has an unusual drive and it is impressive how the pace is maintained for more than 400 pages in this sharp and socially critical novel with an intensity that makes it powerful and strong. Ann-Helén Laestadius manages to keep the sense of the Sami language and their worldview alive and puts it in contact and in conflict with the times in which we live. Don’t miss out on her portrayal of the misery and demise of the emotionally disturbed neighbor, the man who hates the Sami. In fact, whatever you do, don’t miss out on this novel at all.”

Stolen was published by Romanus and Selling on January 27th.

Dorthe Nors has just received a stellar review from New York Times Book Review for her short story collection Wild Swims:

“None of the characters in these 14 compact, bracing stories are fully satisfied with where they find themselves […] This kind of acute situational irony — the distance between thought and reality — animates all of Nors’s stories […] These stories are a dark reflection of all of us, blinkered by our hang-ups and our insistent desires.”

The US edition of Wild Swims was published by Graywolf yesterday.

Ann-Helén Laestadius has received a rave first review for her new novel Stolen in BTJ.

“Stolen is in part based on real life events and it begins in 2008 when 9-year-old Elsa bears witness to a man named Robert Isaksson killing one of her reindeer. […] The animosity between Elsa’s family and the non-Sami villagers is intimately and vividly portrayed. Above all, the novel gives beautiful insights into the life of the Sami and their struggle for justice. […] An accessible and at the same time deep, beautiful, and suspenseful tale of a part of the world many of us know very little about. It deserves a large audience.”

Stolen was published in Sweden on January 27th by Romanus & Selling.

The Bear Woman by Karolina Ramqvist received excellent praise from ET Magazine.

”The book depicts the writer just as much as the story of a French noblewoman who lived in the 16th Century – effectively, it tells the story of women in general. About how easily they are left on the sidelines, anonymous footnotes in history.”

The Bear Woman was published in Finland by Gummerus on September 21st, 2020.

Under the Storm by Christoffer Carlsson received an outstanding review by Karlstads-Tidningen.

“Under the Storm is one of the best books in the crime genre I’ve read, and it could just as well be categorized as a literary novel. It is both a melancholy and emphatic tale about a village in a depopulation area as it is a story about a murder.”

The book was published by Albert Bonniers Förlag on March 1st 2019.

The Survivors by Alex Schulman received a raving review by Norwegian radio NRK.

“The Survivors is a book about longing and unsure love, about adult betrayal, about brothers who take on the parent’s responsibility in protecting and caring for each other (…) It is also a book that balances the fine line bordering on melodrama, without tipping over. ”

The Survivors was published in Norway 8th of January 2021 by Gyldendal.

The Survivors by Alex Schulman has received another raving review, this time in Blekinge Läns Tidning.

“I read his books tenderly. […] This is writing to take pleasure in.”

The Survivors was published by Albert Bonniers Förlag in Sweden on September 4th last year.

The Norwegian edition of Johanna Mo’s The Night Singer is out today and here’s a first rave review:

“Intrigues and complicated relationships that go back through generations come to light with a rich and credible cast of characters. The Night Singer is a timeless portrayal of sins inherited in a small town, and at the same time it’s quite a modern book. Both due to an underlying theme that is highly topical, and because Hanna Duncker is a fascinating and complex character. […] This one will get you hooked!”
Adresseavisen, 6/6 stars

Tove Alsterdal has gotten yet another rave review for her award-winning crime novel We Know You Remember:

“A novel is generally excellent if you have to stop at the very first page to re-read parts of the text – simply because the style demands it. With We Know You Remember, it suffices with the first three sentences; together they make up a little short story in its own right. […] As first suspected, this proves to be a crime novel that stays first-rate throughout; that the Swedish Crime Writers’ Academy has named the book Best Swedish Crime Novel of the Year isn’t hard to understand. Alsterdal has a style of her own and knows how to set the tone in just a few words. […] The milieus are stunning and if you haven’t been to those parts of the country, you’ll surely feel tempted to go.”
GÖTEBORGS-POSTEN (SE)

Tove Alsterdal continues to garner rave reviews for her latest book We Know You Remember:

“What makes Tove Alsterdal such an excellent crime writer? It’s the fact that she writes about ordinary people with such authenticity, people who are neither purely evil nor good. The crimes are rarely meticulously premeditated, instead they are tragic events that happen out of desperation. Alsterdal’s strength is her ability to portray human relationships and draw sharp, psychological portraits.”
Yukiko Duke, Vi läser

Dorthe Nors has gotten a starred review from Kirkus Reviews for the upcoming US edition of Wild Swims:

“Cool, razor-sharp stories by a brilliant Danish writer. […] Irony and narrative sleights of hand (like the precisely planted out-of-place word, an obsessive thought that gets whittled down to its shameful source, the swerve of an unexpected final line) shape-shift these beautiful distilled stories. You think you know what you’re reading until suddenly you don’t. […] A brainy collection perfectly constructed to put you on edge.”

Wild Swims will be published by Graywolf Press on February 2nd, 2021.

Tove Alsterdal continues to garner rave reviews for her latest novel, We Know You Remember:

“The police Eira is a great new acquaintance and Alsterdal is incredibly skilled at portraying both milieus and the human psyche. Here we’re transported to the region of Ångermanland, but also to a darkness that has long affected an entire community. A clever plot with an evocative atmosphere that doesn’t release its grip on the reader for a single moment.”
TARA (SE)

“Tove Alsterdal delivers, both in suspense and style. Her vivid metafors give me the chills.”
EXPRESSEN SÖNDAG (SE)

After the Sun by Jonas Eika has made a splash on the literary scene in Germany and has received another raving review, this time in Der Tagesspiegel.

“Spectacular […] The stories read as sensual as they are cryptic, permeated with a heavy desire that can barely be distinguished from a spiritual longing.”

After the Sun was published in Germany by Hanser Berling on August 17th.

Tove Alsterdal’s latest book We Know You Remember was published at the end of last week, and the first reviews are splendid:

“Throughout the riveting plot, Tove Alsterdal elegantly weaves in ideas about the terms of rural life today, about the handling of minors in legal processes, about hate campaigns on social media, about the human thirst and longing for emotional connection.”
VÄSTERBOTTENSKURIREN (SE)

“Tove Alsterdal is one of the very best in the genre. What’s more, her multifaceted suspense novels shed light on burning topics of our times.”
DAMERNAS VÄRLD (SE)

Alex Schulman continues to garner stunning reviews for The Survivors. Here’s an excerpt from Expressen‘s review:

“Schulman uses sound, light, and the boys’ memories of an early summer in order to depict the terror that breaks out between the brothers when they splash in the water and the shore seems to disappear. In this moment, Schulman has an exact pitch in every sentence. I experience their strokes in the water heavy as death and the angst the brothers feel is also mine. […]. What surprises me most is Schulman’s ability to make the world appear a little bit bigger. He moves borders, travels through time.”

The Survivors was published by Albert Bonniers Förlag on September 4th.

Johanna Mo has gotten a new rave review for The Night Singer from Dalarnes Tidning:

“The Night Singer is the first book in the new series The Island Murders and it’s promising, well-written and cleverly constructed. It’s thrilling to follow Hanna Duncker’s search for truth, and her struggle against those with a bad eye towards her because of her father’s crimes. And an extra plus for how close we get to the teenager Joel, who is found dead at the opening of the book.”

Cecilia Chrapkowska and Agnes Wold have gotten a rave new review from Booklist for their groundbreaking book Parenthood the Swedish Way:

“From pregnancy and birth, to feeding and sleeping, to vaccines and illnesses, Parenthood the Swedish Way addresses all aspects of parenting and infant health in an empathetic and realistic way. New parents will appreciate this straightforward and thoroughly researched resource that picks apart outdated advice and debunks myths about parenthood.”

The US edition was published by Scribe in February, 2020.

The Survivors by Alex Schulman has been making a splash in Sweden since its publication on September 4th. Here is an excerpt from a fantastic review in Svenska Dagbladet:

“Damn elegant. […] Alex Schulman is clearly sliding into a more free fictional prose. Between the lines we glimpse an author with his gaze set on the horizon, ready for the next step. I am curious where that will take him.”

Johanna Mo continues to garner praise for The Night Singer. Here’s a new rave review from Dagens bok:

“It hurts to read about Joel’s approaching, brutal death, and his brooding over who he is and what he wants. I so want things to go well for this boy, the he’ll find himself and find peace, but all the while I know that his time is running out. Hanna Duncker is a character that I look forward to reading more about. There’s something almost touching about her secret persona. Beneath the surface she’s contemplative and full of longing, but on the outside she seems a bit stiff and intangible. […] The Night Singer is a strong first book in the series and it bodes well. It’s thrilling and well-written!”

Alex Schulman has received a rave review from Aftonbladet for his latest novel The Survivors:

“Alex Schulman skillfully navigates through a vulnerable adolescence. His writing is emotionally arresting, it’s impossible to resist.”

The Night Singer by Johanna Mo has received another fantastic review, this time in magazine Femina.

“Intensely suspenseful in the most beautiful of settings.”

The Night Singer was published in Sweden on June 10th by Romanus & Selling.

In a review of Sofia Rönnow Pessah’s explosive novel The Men in My Life, daily newspaper Upsala Nya Tidning‘s  critic said: “The new generational novel is here”.

This quote is now used as a blurb on the paperback edition of the book, which was published on July 27th by Wahlström & Widstrand.

After the Sun by Jonas Eika was published in Germany last week by Hanser Berlin. The short story collection has already made a splash and just received a rave review in Der Spiegel:

“No other poet has exploded onto the scene like Eika in a long while.”

You can read the review in full here.

The House Next Door by Mattias Edvardsson has received another raving review, this time in Skånska Dagbladet.

“The House Next Door is a page-turner that makes you look at your own neighbors with a more suspicious eye […] further proof that Mattias Edvardsson is well on his way to establishing his very own niche in the Swedish crime genre.”

The House Next Door was published in Sweden on June 17th, by Bokförlaget Forum.

The House Next Door by Mattias Edvardsson has received another raving review, this time in the podcast Deckardårarna (crime junkies).

“The novel is tremendous, it keeps you on your toes from the first to the last page. Not a single one of the characters can be placed in the category ’the good guy’ – they all have good and bad characteristics and the novel shocks you all the way to the end. Extremely good.”

The House Next Door was published in Sweden on June 17th by Bokförlaget Forum.

A mere week ago The New York Times published a “Guide to Nordic Noir” where, A Nearly Normal Family by Mattias Edvardsson, I’m Traveling Alone by Samuel Bjørk, and After She’s Gone by Camilla Grebe were recommended.

You can read the guide here.

Dorthe Nors has received a rave review in BBC Open Book, for the UK edition of Wild Swims:

“They have that sense of life to them […] within four pages, she takes you through an extraordinary life […] makes you feel exhausted but invigorated.”

The UK edition of Wild Swims was published by Pushkin Press in April, 2020.

The Night Singer by Johanna Mo has received a splendid review on Bims blogg:

“Johanna Mo is one of the best crime writers in Sweden. Her writing is captivating and thrilling. The Night Singer is a great and taut novel, with a plot that is both unpredictable and emotional.”

The Night Singer was published in Sweden on June 10th by Romanus & Selling.

Dorthe Nors has received a rave review in The Daily Mail, for the UK edition of Wild Swims:

“There are bottomless lakes in these brilliantly uneasy stories, and cold, ‘unknowable’ landscapes, creaking with snow and ice, as in her spare, elegant prose Nors eavesdrops on the inner lives and complicated emotions of her yearning characters.”

The UK edition of Wild Swims was published by Pushkin Press in April, 2020.

What We Owe by Golnaz Hashemzadeh Bonde recently received a fantastic review in the Croatian newspapers Express:

“This is a story about mothers and daughters, about refugees in search of a better life. A moving novel about the life and generations of mothers and daughters leaving their homes behind. […] What We Owe by Golnaz Hashemzadeh Bonde is a novel vibrating with a sense of loss, but also the joy of life.”

What We Owe was published in Croatia in May 2020 by Fraktura.

Erasure by Tove Alsterdal has received another rave review, this time in Stavanger Aftenblad in Norway:

“When Tove Alsterdal publishes a new book, critics sit prepared to give the highest marks. Erasure has now been translated into Norwegian, and yes – she meets the expectations – because her writing is superb, and her storytelling is excellent.”

Erasure was published in Norway in January this year by Kagge.

Winter Water by Susanne Jansson has received a brilliant pre-publication review in BTJ by Pia Lindestrand:

“The author has written an incredibly suggestive and atmospheric story with delicately beautiful nature depictions and an undercurrent of something that might be supernatural while still remaining firmly anchored  in a realistic present with flesh and blood characters. The depiction of how parenthood is broken down by grief when a young son disappears is absolutely heartbreaking. The parents’ and Maya’s search for answers about what truly happened creates multiple nerve-racking twists and turns. Winter Water is a truly thrilling page-turner.”

Winter Water will be published on August 20th by Wahlström & Widstrand.

The House Next Door by Mattias Edvardsson has received a fantastic review, this time in Smålandsposten:

“As usual, Mattias twists and turns the order of the world. What is safety? Where is the delicate divide between right and wrong? How well do you know your neighbors? And what happens when the threat moves into your own home?”

The House Next Door was published on June 17th by Bokförlaget Forum.

The Night Singer by Johanna Mo has received another splendid review, this time in the review podcast, Deckardårarna:

“The Night Singer is even better than Johanna’s previous novels. Returning to Öland feels fantastic. This is a classic police procedural in the best possible way. The character depictions are fantastic. What Johanna Mo does so unbelievably well is the way she portrays how people are affected by a crime. Her characters are engrossing – you really want to know more about Hanna Duncker and I cannot wait for the next book in the series.”

The Night Singer was published on June 10th in Sweden, by Romanus & Selling

Erasure by Tove Alsterdal has received a fantastic review, this time in Adresseavisen in Norway:

“A thrilling history lesson. […] An incredibly exciting book that on the one hand provides insight into a part of European history that few of us knew anything about. And on the other hand it’s a moving and psychological plunge into the workings of a collapsing relationship.”

Erasure was published in Norway in January this year by Kagge.

The Night Singer by Johanna Mo has received another fantastic review, this time in Norra Skåne:

“I can barely wait for the next book in The Island Murders series. I already knew that Johanna Mo was a great writer, but here she has undoubtedly hit a bull’s eye.”

The Night Singer was published on June 10th in Sweden, by Romanus & Selling.

Dorthe Nors has received yet another fantastic review for her latest short story collection, Wild Swims:

“These truly are short stories. No tale exceeds seven pages. Some amount to mere sketches, snapshots or portraits. Many are fuelled by strange thoughts and idiosyncratic deeds. A few are maddeningly evasive and raise more questions than answers. And yet all are masterclasses in concision and most get straight to the nub of the matter, able to perfectly convey a mood, encapsulate an emotion or dramatise a predicament. […] We also admire Nors’ prose, which is rich with quirky formulations and novel comparisons (“Baileys tastes of German rest stops and the corner of some party where nothing’s happening”). Sharp, inventive, and consistently captivating, Nors’ tales are miniature wonders. Prepare to see the world in a refreshing new light.”
The Herald Scotland

Johanna Mo has received a rave review for The Night Singer from Skånska Dagbladet:

“[The Night Singer] is a classic police procedural where the writing is spot-on. Mo has constructed a thrilling cast of characters both when it comes to the police as well as the family and suspects surrounding the deceased Joel […] [Mo] succeeds in capturing the strong emotions that a murder evokes in a captivating and authentic way.”

Wild Honey by Sara Paborn has received another fantastic review, this time in Sydsvenskan.

“This is entertainment with intelligence and bite. […] Paborn is phenomenal at creating scenes that perfectly portray things falling into place. Ebba and Veronica’s stories are in dialogue over the decades: about the love that caught fire but never had the oxygen to burn bright, and the love that flared and quickly burned out. Wild Honey is beautiful, perfectly composed and easy to digest like a luxurious literary truffle.”

Wild Honey was published on April 21st in Sweden by Albert Bonniers Förlag.

Dorthe Nors has received a rave review from Financial Times for her latest short story collection, Wild Swims:

“At their best [the stories] are sharp, affecting, splendidly atmospheric, sometimes funny (a wedding photo shows ‘she in white, he in something resembling an iron lung’). They are also brilliantly written. […] Wild Swims is an enchanting work whose brief, almost fugitive stories achieve multitudes in a gesture. Maximalism does not require copiousness. Just look at the elephant in its chair.”
FINANCIAL TIMES (UK)

The UK edition of Wild Swims was published by Pushkin Press in April, 2020.

The House Next Door by Mattias Edvardsson will be published on June 17th by Bokförlaget Forum and has already received a first review in the library journal BTJ.

“The House Next Door has a classic mystery plot, but Edvardsson tells the story with finesse, suspense, and drive. He has written a real nail-biting thriller of international class. For those who like Harlan Coben and Linwood Barclay – read it.”

Hear Me Whisper by Mons Kallentoft has received another great review, this time in Ölandsbladet:

“Mons Kallentoft tells a thrilling story highlighting the lengths a parent is willing to go to find their missing child.”

Hear Me Whisper was published on April 29th by Bokförlaget Forum.

Wild Honey by Sara Paborn has received another fantastic review, this time in Hela Gotland:

“This is a wonderful and entertaining love story with nimble depictions of characters, perceptive dialogue, and a real sense of milieu. Who doesn’t yearn for the idyllic 1950’s inn – even if it’s just a fairytale?”

Wild Honey was published in Sweden on April 21st by Albert Bonniers Förlag.

Geir Tangen has received a great new review in Sweden:

“Geir Tangen has written his books with much affection for crime novels, and he’s also a very good stylist who possesses a great deal of humor […] Geir Tangen knows his genre and offers suspense with something extra.”
Kristianstadsbladet

The Swedish edition of Dead Men Dancing was published by Forum on March 25th.

Wild Honey by Sara Paborn has recieved another rave review, this time in M-Magasin:

“Wild Honey is a perfect title for a thought-provoking feel good novel with a bite, and the humorist Sara Paborn delivers cozy reading for those looking for romance but allergic to cheesiness. […] Paborn writes beautifully about inter-generational friendship and past meets present in the search for a love that never eroded.”

Wild Honey was published on April 21st by Albert Bonniers Förlag in Sweden.

After the Sun by Jonas Eika continues to make waves in Sweden since its publication. The short story collection currently celebrates its third week on Dagens Nyheter’s prestigious critics list, and to top it of After the Sun has received a superb review in Svenska Dagbladet:

“Just as well you can say that Jonas Eika writes like Jonas Eika: with an impressive range; sharp and dense and with breathtaking leaps between realism and all the other possibilities language can hold. After my reading I am left a tad dazed, feeling as if I myself was ensnared by a surprising ray of light in the desert. I must blink a few times before the world regains its ordinary contours.”

After the Sun was published in Sweden on March 12th by Modernista.

Hear Me Whisper by Mons Kallentoft was recently published in Sweden and has received a rave review in BTJ by Viktor Andersson:

“Hear Me Whisper is a stand alone continuation to the successful thriller See Me Fall by the experienced and skilled crime writer Mons Kallentoft. Kallentoft continues to dig into the hellish darkness of human trafficking, showing new and highly sympathetic sides in this taut – and from start to finish – very exciting novel. But Hear Me Whisper is much more than that; it is a gripping and plausible yet terrifying story with an important message.”

Hear Me Whisper was published on April 29th by Bokförlaget Forum.

Dorthe Nors has received another stellar review for the UK edition of Wild Swims:

“It’s clear from this collection why Nors was the first Danish writer to have a short story published in The New Yorker. She writes about quiet middle-class people (doctors, writers, academics) in an original, slightly out-of-kilter way, typically constrained and downbeat. […] These are stories not so much about relationships as people trying to cope with each other and, more often than not, failing.”
The Sunday Times

After the Sun by Jonas Eika has received another fantastic review in Sweden, this time from Aftonbladet:

“Eika’s prose has a cinematic quality. […] The stories in After the Sun consistently give voice to those who finds themselves in the margin and who, in different ways, are defined by a loss and an inability to take their fate into their own hands – even when they try. […] At its best, his prose works like the drug he invents in one of the stories, that ’activates an alternative nervous system’ in the reader. And, in case it isn’t clear, that is a very good review.”

After the Sun was published in Sweden on March 12th by Modernista.

Wild Honey by Sara Paborn keeps getting praise and fantastic reviews in Sweden. Here is another rave review from Dagens Nyheter:

“Good Lord, give me a time machine and send me to Sara Paborn’s 1955! […] The author is able to make her sleepy summer days appear divine. Not even the strange swarm of bees that has moved into the inn and terrorizes the summer guests will scare us off – also in apparently dark moments it is impossible not to cozy up and smile through all of Veronika’s chapters.”

Wild Honey was published in Sweden on April 21st by Albert Bonniers Förlag.

Wild Honey by Sara Paborn has become the buzz book of the moment in Sweden, and here is an excerpt from another fantastic review, this time in Expressen:

“The greatest pleasure of reading this book is Paborn’s artful depiction of the traditional inn, sculptures in small towns, a welfare state in a lost time and, not least, love.”

Wild Honey was published in Sweden on April 21st by Albert Bonniers Förlag.

After the Sun by Jonas Eika has made a splash in the literary world in Sweden since its publication. Here is another rave review from Sveriges Radio:

“A singular world arises, a world of religious mysticism, gay sex, och sweet poetry. A world that I long to visit again.”

After the Sun was published in Sweden on March 12th by Modernista.

Wild Honey by Sara Paborn has received another wonderful review, this time in Blekinge Läns Tidning:

“Sara Paborn is the best kind of storyteller who masters both earnestness, ingenuity, and warmth. Her latest novel Wild Honey is no exception.”

Wild Honey was published by Albert Bonniers Förlag on April 21st.

Dorthe Nors has just received a rave review in The Daily Mail for the upcoming UK edition of Wild Swims:

“There are bottomless lakes in these brilliantly uneasy stories, and cold, ‘unknowable’ landscapes, creaking with snow and ice, as in her spare, elegant prose Nors eavesdrops on the inner lives and complicated emotions of her yearning characters.”

The UK edition of Wild Swims will be published by Pushkin Press on April 23rd.

Dorthe Nors keeps getting praise in Sweden for her latest short story collection, Wild Swims, which was recently published by Ordfront:

“Nors lingers on characters who are in motion in one way or other; on their way out of – or deeper into – situations and dysfunctional relationships. This collection is about being caught, breaking free, making a journey, or looking back at life and the memories you carry. […] The characters’ weaknesses and, at times, cruelty, are portrayed with great precision. Many times the reader is left with a vague sense of discomfort. […] [Nors] is a master of the art of insinuation. […] Her brief portrayals are playfully effortless, ragingly strong, and crystal clear, and the small suggestions are dense and vivid. If you haven’t been keeping an eye on this authorship before, now is certainly the time.”
Värmlands Folkblad

Camilla Grebe’s The Shadow Hunter keeps getting praise in Denmark. Here’s a rave review from Politiken:

“Camilla Grebe’s crime novel The Shadow Hunter has deservedly been named best Swedish crime novel of 2019. […] Above all, The Shadow Hunter has the aura of a Greek tragedy – a family curse and a fatal coincidence – that make it evident that Camilla Grebe is one of our best crime writers right now.”

The Danish edition of The Shadow Hunter was published by Lindhardt og Ringhof on March 12th.

After the Sun by Jonas Eika has received a rave review in Göteborgs-Posten in Sweden.

“Eika’s stories are like relatives of those in Andrzej Tichý’s recently published Purity: they are shows of equally wild, windingly long and maddeningly stylistic brilliance. [….] Eika’s prose moves into your bones and expands your senses in the way that only dazzling literature can.”

After the Sun was published in Sweden on March 12th this year by Modernista.

Dorthe Nors has received yet another rave review for the Swedish edition of Wild Swims:

“Like always with Dorthe Nors, her stories hold entire lives and numerous events. But they are implicit. Through some cleverly portrayed yet crucial detail, Dorthe Nors kickstarts the reader’s ability to interpret and expand each story into the breadth of an entire novel. […] Wild Swims is an atlas over dark, spiritual landscapes, where love has often disappeared off somewhere else. It portrays different ways of feeling alone and abandoned, and how difficult it can be to reach other people – even before we were ordered to keep a two meter distance from one another.”
Svenska Dagbladet

The third and final book in Geir Tangen’s Haugesund Series, Dead Men Dancing, has just been published in Sweden by Forum. Here’s a first rave review from Kapprakt:

“A grandiose finale. […] This is a really good and entertaining read. Geir Tangen gives us his all, in a dizzying and loving play with all the clichés of the genre. […] Guaranteed to lift your spirits up if you’re having a bad day.”

After the Sun by Jonas Eika was recently published in Sweden an it has today received a rave review in SVT.

“He is an author that writes with his eyes, registering every detail and the smallest of movements. It’s a pleasure to read his writing, a challenge for the mind and the soul: I don’t always know what I am experiencing, but I don’t want to miss a single word of it.”

The Swedish edition of the short story collection After the Sun was published by Modernista on March 12th, 2020.

Dorthe Nors’s latest short story collection Wild Swims was just published in Sweden, and here’s a first, rave review from Dagens Nyheter:

“It’s difficult to find a more willful and stylistically skilled writer than the Dane Dorthe Nors. […] In [Wild Swims] the stories are extremely short, and much quirkier. More advanced, in a sense; to absorb this emotional concentrate of undecided nervousness is demanding. The many details of listless everyday life that Dorthe Nors is such an expert at portraying feel ominous in every nook. The reader finds herself in the middle of a 129 page-long psychological attack, under fire from fourteen miniature stories.”

The Swedish edition of Wild Swims was published by Ordfront on March 9th, 2020.

Under the Storm by Christoffer Carlsson has received yet another rave review, this time in Stavanger Aftenblad.

“[Carlsson] is back at his absolute best: on the outskirts, in the quiet small towns where everyone knows everything about everyone – and at the same time not. […] Yet again Carlsson proves what a master he is, because the crime puzzle itself is secondary to the actual aim of this novel: a deep dive into the lives of the people who inhabit this small town – and the novel. Carlsson shines, he moves elegantly between different perspectives, people and periods. His writing is beautiful and precise, both dialogues, scenes, and the character portrayals are splendidly executed: subdued, thoughtful, loving, and full of melancholy.”

Under the Storm was published in Norway by Gyldendal on January 17th this year.

Sweden’s biggest daily newspaper, Dagens Nyheter, recently published their list “Best 30 thrillers of 2019” which include Under the Storm by Christoffer Carlsson, The Shadow Hunter by Camilla Grebe, and Erasure by Tove Alsterdal. Fantastic news!

To see the full list click here.

The Club by Matilda Gustavsson has received another fantastic review, this time in DN Magasinet.

“To read The Club is shocking and exhausting. […] It’s an impressive piece of journalism, a brilliant example of how to write about something so complex as Metoo (the book definitely ought to be required reading for journalism students). It reminds us of why Metoo was so urgently necessary, and the power of good and sound journalism. This is exactly why it’s one of the most important books of the year.”

The Club was published in Norway by Pilar/Strawberry Publishing on November 25th 2019.

The Club by Matilda Gustavsson have received another brilliant review, this time in Kristianstadsbladet.

“Matilda Gustavsson’s brave investigation is journalism at its best, the kind that changes the world.”

The Club was published in Sweden by Albert Bonniers Förlag on November 22nd 2019.

The Bear Woman by Karolina Ramqvist have received another rave review, this time in Västerbottens-kuriren.

“What really distinguishes the post-traumatic streak in The Bear Woman are that all these experiences, as opposed to the investigation into Marguerite de la Rocque, do not really have an ending, or a resolution. One is a complete circle, the other is a chaotic cutout of a painful present. One wants atonement, the other revenge. […] These aching divergences could have made The Bear Woman an impossibility as a literary project. Instead, Ramqvist succeeds in gathering her material, and transforming it – in all its sorrow and exhilaration – into a beautiful and unforgetful description of women, history, and survival.”

Read the full review here.

The Bear Woman was published in Sweden on August 28th 2019, by Norstedts.

Let’s Hope for the Best by Carolina Setterwall has received a great review in Times Literary Supplement. The review – with the headline “Champion of Grief” – highlights Carolina’s beautiful story and ends with:

“Certainly the voice here sounds very much as one imagines Setterwall’s own would: sometimes flat-footed, sometimes resentful, but never less than baldly honest and fully alive.”

Let’s Hope for the Best was published in the UK on the 13th of June 2019 by Bloomsbury.

Matilda Gustavsson’s new book The Club has just been published by Pilar in Norway, and here’s a first rave review:

“The Club is a fascinating examination of power in the cultural world, of how far people are willing to go in the name of art, but it is also about the cost of coming forward. […] To read The Club is shocking and exhausting. […] It’s an impressive piece of journalism, a brilliant example of how to write about something so complex as Metoo (the book definitely ought to be required reading for journalism students). It reminds us of why Metoo was so urgently necessary, and the power of good and sound journalism. This is exactly why it’s one of the most important books of the year.”
DN Magasinet

Dorthe Nors recently received a brilliant review in the Norwegian newspaper Stavanger Aftenblad.

“Each short story is like an iceberg, most of it can be found underneath the surface. […] Dorthe Nors writes tightly and precisely about lonely, melancholic people who are thirsting for love. There’s something quietly beautiful about the way some characters are portrayed, at times characterized by a dark humor. The short stories both make you smile and give you the creeps. In just a few sentences, Nors unveils what is most wounding, and what hurts the most.”

Wild Swims was published in Norway by Gyldendal on September 6th, earlier this year.

The Bear Woman by Karolina Ramqvist has received another rave review, this time in Gefle Dagblad.

“Together, the different themes of the novel creates a tight and beautiful story, and I realize that the story has become its own – as is the art of great fiction – and it does so brilliantly.”

The Bear Woman was published in Sweden on August 28th 2019, by Norstedts.

The Bear Woman by Karolina Ramqvist has received yet another rave review from Värmlands Folkblad:

“Karolina Ramqvist’s The Bear Woman is an outstanding novel. […] After just a few pages, I am hooked and am forced to constantly moisten my thumb to turn the pages quicker. The novel, the book, grows into a complex and philosophical work about life, death, body, soul, femininity, power, money, the past and present, parenthood, truth, lies and how writing ties to truth-telling and honesty relates to all this. Karolina Ramqvist’s prose is exact and transparent. The text is full of tangible details and it is a luxury to read this dense and thought-provoking book.”

The Bear Woman by Karolina Ramqvist has received rave reviews after its recent publication in Sweden:

“A beautiful and unforgettable tale of women, history and survival.”
VÄSTERBOTTENS-KURIREN

“In her new book, which is a fusion of novel and essay, Karolina Ramqvist breaks new ground in an ambitious story about a woman who lived during the 16th century. It is spontaneous, beautiful and captivating.”
SKARABORGS LÄNS TIDNING

A Nearly Normal Family continues its success story with a brilliant review in The Seattle Times.

“The American debut of Swedish writer M.T. Edvardsson, is a taut blend of legal thriller and domestic tale of suspense. […] Edvardsson’s prose is solid and no-nonsense.”

Read the review here.

A Nearly Normal Family was published in the US on June 25th by Celadon Books.

Respect – Everything a Guy Needs to Know About Sex, Love and Consent by Inti Chavez Perez was included in a stellar feature in TIME, discussing books that will “rewrite the rules of dating”.

“Respect is, unlike the other books here, geared toward male readers–more specifically, teenage ones. Covering everything from anatomy to consent, it fills a gap in the literature for young men navigating adolescence in an era that may seem like a minefield of potential missteps.”

Read the feature here.

Respect was published in the US on 27th of August by Penguin Books.

Respect: Everything a Guy Needs to Know About Sex, Love, and Consent by Inti Chaves Perez received get another rave review, this time from Chicago Tribune. The book was described as thorough, refreshing and fun.

“Perez writes in an inclusive voice that speaks to heterosexual readers as well as readers across the LGBTQ spectrum. Some grown-ups may prefer to cover the aforementioned topics with their sons or other young men in their lives in person, face-to-face. Great! The sons or young men in our lives will still probably welcome the perspective of a guy like Chaves Perez, who answers even the most potentially embarrassing questions with utter ease and zero shame.”

Respect will be published in the US by Penguin Books on August 27th.

Carolina Setterwall’s debut novel Let’s Hope for the Best has received a rave review in The Quietus:

“Setterwall masterfully blends the small red flags of a relationship with compelling excuses […]. It is sometimes painful seeing it depicted with so much detail, and often cuts close to the bone, but its greatest strength is the deftness and compassion of its execution.”

Read the review here.

Let’s Hope for the Best was published in the UK by Bloomsbury on June 13th.

Joakim Zander’s novel The Friend was recently published in paperback in the UK and has received brilliant reviews, amongst others from The Bookseller.

“A moving love story and a gripping adventure, The Friend is an intelligent thriller that untangles the complexities of international politics and reveals the dark threats facing the world today.”

The Friend was published in paperback on August 8th by Head of Zeus.

Mons Kallentoft’s latest novel See Me Fall has received a brilliant review in Sundsvall’s Tidning:

“It’s a feverish tale. Blanck moves in the dark and in the periphery – both literally and spiritually. The search for his daughter and drugs are what keeps him moving forward. […] You will recognize Kallentoft, but See Me Fall is a darker tale than the suites about Malin Fors. Well worth the read.”

Beyond All Reasonable Doubt by Malin Persson Gilito has received yet another great review from the US, this time from The Los Angeles Times:

“With a messy personal life and a sharp legal mind, Weber is the moral center of Malin Persson Giolito’s Swedish thriller Beyond All Reasonable Doubt. The novel tracks a mission to right a wrong and plunges into the egos, deceptions, lies, vendettas, presumptions and questionable police work that pervade a legal system and society’s need for retribution. […] Ahlin’s case is a criminal and moral puzzle about guilt and shades of innocence. A man is many things, but if he is arrested for a heinous act, the world reduces him to caricature. He faces swift assumptions and fabulist headlines, and even the legal system designed to protect his rights succumbs to its own imperfections and inconsistencies. Agendas flash here and there like a circus tilted from is bearings.”

Beyond All Reasonable Doubt was published by Other Press on June 4^th .

Mattias Edvardsson’s A Nearly Normal Family has just received a rave review from The Wall Street Journal:

“‘We were a perfectly ordinary family,’” insists Adam Sandell, a pastor and one of three narrators in Swedish author M.T. Edvardsson’s involving, sharply written A Nearly Normal Family […]  Diagramming how things went awry is one purpose of Adam’s lengthy monologue, which takes up a large chunk of this shrewdly constructed story. […] When Stella takes over the narrative, she proves to be more than a shrewd observer of her own predicament. […] Stella transforms the novel’s events, and then her mother, herself a lawyer, gives this surprise-filled saga its final turn. Mr. Edvardsson, whose Swedish is translated here by Rachel Willson-Broyles, is a fine stylist. A Nearly Normal Family, the author’s first book to be published in this country, is a compulsively readable tour de force.”

The US edition of A Nearly Normal Family will be published by Celadon Books on June 25th, 2019.

The Washington Post has just chosen Beyond All Reasonable Doubt by Malin Persson Giolito as one of nine picks for thrillers to read on the beach this summer:

“Author of the 2017 prizewinning Quicksand, Giolito has come up with another knockout legal thriller. Here Sweden looks less like a socialist paradise and more like a society as screwed up as anyplace else. Bumbling cops and prosecutors convict a medical researcher for the grisly murder of a 15-year-old girl he had seduced. In the public’s opinion, Stig Ahlin is ‘Professor Death.’ So when lawyer Sophia Weber looks at the paltry evidence and agrees — 13 years after the crime was committed — to help the imprisoned professor petition for a new trial, the reaction, online and among friends, is ferociously negative. Weber is a wonderfully textured creation, a poignant mix of determined braininess and nagging doubts. Giolito’s finale is a smidgen more ambiguous than some readers will want, but maybe this means Sophia Weber will be back again — a very good thing.”

Click here for the full list.

The US edition of Beyond All Reasonable Doubt was published by Other Press on June 4th.

Inti Chavez Perez has received yet another rave pre-publication review for Respect – Everything a Guy Needs to Know about Sex, Love, and Consent, this time from Publishers Weekly:

“With wonderful frankness, Chavez Perez, […] describes the ins and outs of becoming and being a man in this instructive, comprehensive debut. […] Chavez Perez does a thorough job of answering frequently asked questions and covers a wide range of issues with the tone of an older, more experienced brother willing to share his own missteps (as well as his well-sourced research). […] For any man (or woman) with questions about sex that they were too uncomfortable to ask, Chavez Perez’s authoritative book will have the answer.”

The US edition of Respect – Everything a Guy Needs to Know about Sex, Love, and Consent will be out from Penguin Books on August 27th, 2019.

Inti Chavez Perez has just received a rave pre-publication review from Booklist for the upcoming US edition of Respect – Everything a Guy Needs to Know about Sex, Love, and Consent:

“In this accessible and blunt guide to relationships, Swedish author and sex educator Chavez Perez educates men on the ins and outs of intimacy. […] This is a perfect introduction to a healthy male sex life. While it may be most beneficial for young adults, adults also have much to gain from revisiting the basics of sex ed, especially in the #MeToo era.”

Penguin Books will publish Respect – Everything a Guy Needs to Know about Sex, Love, and Consent on August 27th, 2019.

Let’s Hope for the Best by Carolina Setterwall is being published by Bloomsbury in the UK on June 13th, and the pre-publication reviews are fantastic:

“Intense and relentlessly navel-gazing, this debut by 40-year-old Swedish writer Carolina Setterwall may be billed as an autobiographical novel but is quite simply one of the best bereavement memoirs I’ve read… It’s impossible not to draw comparisons with Karl Ove Knausgaard, who must surely have been an inspiration. But there is a unique voice here, a style of disclosure all her own, incidentally beautifully translated. It’s an emotional battering ram, I thought, and I absolutely loved it.”
– The Evening Standard

“This Scandinavian bestseller was based on tragic real events, so it’s not surprising that every spare, controlled sentence has the ring of truth. (…) This painfully clear-sighted, unsentimental novel is in two alternating parts; one detailing the years leading up to Aksel’s death, the other everything that comes after. It’s about grief in all its raw messiness, but it’s also (as how could it not be?) about time … Setterwall’s refusal to impose twists or false neatness is at first admirable then, as a fragile new love begins to blossom for Carolina, gripping.”
– The Daily Mail

Samuel Bjørk’s third installment in the Mia and Munch Series The Boy in the Headlights has received a stellar review today in UK Newspaper The Sun:

”A masterclass in crime fiction. Superb”.

The UK edition of The Boy in the Headlights was published by Doubleday on March 21st, 2019.

Joakim Zander’s The Friend has just gotten a starred pre-publication review from Publishers Weekly:

“At the start of Zander’s thought-provoking standalone sequel to The Swimmer and The Believer, aspiring diplomat Jakob Seger, an intern assigned to the Swedish embassy in Beirut, arrives in Lebanon in August 2015, several months before the nightmarish ISIS attacks in France. […] Thriller fans who enjoy flawed, achingly human characters won’t be able to put this one down.”

HarperCollins is publishing The Friend on June 25th, 2019.

Camilla Grebe’s latest novel Inertia was just published in Norway and it has been given full marks (6/6 stars) by Norwegian newspaper Adresseavisa:

“The new master of Scandinavian crime. […] A tale with suspense on many levels. Camilla Grebe is an excellent writer, she gives life to the different characters, we care for them. And she’s a clever crime writer who never ceases to surprise. This is a really good story.”

The Boy in the Headlights, the third book in Samuel Bjørk’s bestselling Mia & Munch series, is soon to be published in the UK, and two first rave reviews are already in:

“The new novel is as clever and twisty as his hugely successful debut I’m Travelling Alone.”
The Sunday Times

“Fans of Scandi-Noir will adore this ice-cool chiller featuring detectives Holger Much and the brilliant but troubled Mia Kruger. […] Brilliant suspense to the very end.”
Best Magazine

The Boy in the Headlights will be published by Doubleday on March 21st.

Christoffer Carlsson keeps getting praise for his latest novel, Under the Storm:

“In the novel Under the Storm [Carlsson] portrays how a murder and a fire at the edge of a village creates blame among close relatives and forever marks the people who remain. […] This is a singular suspense novel. Christoffer Carlsson places us tenderly in the countryside where he grew up, among meadows, forests, brooks, and waterfalls. […] Christoffer Carlsson is a nimble writer. With a light hand he navigates his tale onward through the eighty-eight short chapters and never loses pace. And in the end it leads to home.”
Sveriges Radio P4 Halland

Christoffer Carlsson’s new suspense novel Under the Storm has received a rave review by Göteborgs-posten today:

“A novel about a crime – that is the subtitle to the crime novel Under the Storm, and it is spot on. But it is also a novel about loneliness, guilt, life in a small community, addiction, social heritage, dreams, and about the humanity in wanting to belong to someone or something. Christoffer Carlsson is a writer with a style to admire, and he also holds a key to the inner lives and minds of people that most crime writers will never find. What more, as a criminologist he has expertise that provides authenticity, along with a great talent for telling stories. […]

There’s a great darkness in Under the Storm, but it’s never completely black and never without hope – not even when a great storm sweeps in and uproots the old forest, leaving Marbäck in utter darkness. Go there with Christoffer Carlsson and you will see. And even though the year is young I can safely say that Under the Storm is sure to be named one of the best crime novels of the year.”

The first Swedish original Netflix series Quicksand has received a rave review by the Swedish daily newspaper Expressen after the premier at The Berlin International Film Festival:

“There is no doubt that the way Quicksand opens is brilliant.”

Quicksand is based on the best-selling suspense novel with the same name by Malin Persson Giolito.

Read the review here.

Carolina Setterwall’s debut novel Let’s Hope for the Best has just received another rave review in Denmark:

“A magnificent reading experience. Raw, honest, and self-revealing. For those who love stories from real life.”
5/6 Magasinet Liv

Carolina Setterwall’s debut novel Let’s Hope for the Best continues to receive rave reviews in Denmark:

“I can only recommend this book.”
MELLEM-LINJERNE.DK (DK)

“It’s the kind of book that you’ll never forget. It gets under your skin. It moves into the heart. The story is so vulnerable and direct that one cannot avoid caring for the people it is about, and to love them. […] I have never read a book that, so beautifully, puts into words how difficult it is to live without – but also to live with – the one you love. One of the best, most touching and most relevant books I’ve ever read.”
RANDIGLENSBO.DK (DK)

“A brave and honest story that is very hard to let go of – even after you’ve finished reading it. A ‘must read’ for everyone – whether you have lost someone or not.”
BECH’S BOOKS (DK)

Let’s Hope for the Best by Carolina Setterwall is being praised in Denmark:

“Honest and unvarnished autofiction … Carolina Setterwall writes about the many nuances of grief, but also about love, family life and expectations of life before and after the sudden death. The precise and almost photographic memories of the past are fine and nuanced … The love story is by no means romanticized, and the descriptions of the author’s grief process and thoughts, also the less pretty ones, makes the novel even better.”
LITTERATURSIDEN.DK

“A vulnerable, honest and intense novel about loss and trying to move on. It’s poignant and well-written.”
DANSK BIBLIOTEKSCENTER

Erasure by Tove Alsterdal continues to receive rave reviews in Sweden:

“This is a thrilling page-turner. But Tove Alsterdal’s Erasure is also a subtle psychological novel about relationships, a captivating historical novel about life in a borderland, and a thought-provoking, philosophical novel. […] Breathlessly, the reader gets to experience how silenced and hidden stories from the past and people’s inner depths are brought into the light – in a way Tove Alsterdal does like no other. Cleverly, delicately, masterfully.”
Västerbottenskuriren (SE)

“Tove Alsterdal stands out in the suspense genre with an illuminating social perspective.”
AFTONBLADET (SE)

Carolina Setterwall’s debut novel Let’s Hope for the Best has been lauded in Denmark since its publication by C&K on January 17th.

“Setterwalls book is razor sharp and so brave that you can barely understand how she dares. […] It’s a book that gives you shivers as it rises beyond grief in the finest way.”
6/6, Femina 

”Let’s Hope for The Best is a story about love. And it’s a reconciliation with death, but also with life and our expectations for it.”
HENDES VERDEN 

“The book is a novel as much as it is an honest diary, and the naked self-examination is a moving read. Guilt, grief, and dizzying love are combined in a brave way.”
EUROWOMAN 

Tove Alsterdal’s new suspense novel Erasure continues to receive rave reviews in Sweden:

“[Alsterdal’s] nuanced and restrained prose not only gives authenticity to the characters and milieus, and the same fenomen heightens the suspense. […] What builds her plot isn’t the calculated or unlikely, it’s rather the structured and comprehensive. The wisdom of history, the return of injustice from the century when the idiocy of nationalism devastated the continent. History is the murderer, now and then. […] A true history lesson, a tale in the minor key.”
Norrbottenskuriren (SE)

“Erasure is a novel about a time, an era, and history. But it is also both thrilling and moving, it is after all written by Tove Alsterdal, which is always a guarantee for quality. […] In Erasure she elevates her authorship further. She tells a story that may be fictive, but that nonetheless stems from many actual human fates. And she does so with precision and great empathy.”
Smålandsposten (SE)

A Nearly Normal Family by Mattias Edvardsson has received a rave review in Stavanger Aftenblad:

“Edvardsson is a master of suspense, and digs deep into the inner workings of the family. He has written an impressive page turner about three people in crisis.”

The novel was published by Gyldendal in Norway on January 4th.

Erasure by Tove Alsterdal has received a rave review by Lotta Olsson in Dagens Nyheter:

“The atmosphere is as eerie as in a horror movie: the creaking old estate without a single mirror, the overgrown garden that extends down to the river, the cellar that isn’t really consistent with the plans, an alarming sense of impending catastrophe. […] Few can write like Tove Alsterdal. She has a style of her own and a directness to her tone, and portrays people who are neither downright good nor bad. It is human and that’s what makes it so frightening: everyone can commit evil deeds, and everyone can keep fateful secrets.”

A Nearly Normal Family by Mattias Edvardsson has received a review in Adresseavisen after its recent publication in Norway by Gyldendal:

“About to conquer the world.”

Tiina Nevala and Henrik Karlsson have received a rave review from Aftonbladet for their novel For People Like Us:

“A brilliant feel good novel […] Marvelous style and authentic emotions.”

After She’s Gone by Camilla Grebe has received a starred review by Publisher’s Weekly:

“Grebe delivers an unflinching, heart-wrenching message about the plight of refugees in this scorching thriller.”

Read the review here.

The US edition of After She’s Gone has just received a rave pre-publication review from Booklist:

“This atmospheric mystery is masterfully constructed. […] Nordic noir at its best.”

Ballantine will publish After She’s Gone on February 26th, 2019.

A Nearly Normal Family by Mattias Edvardsson has received a rave review:

“A Nearly Normal Family is endlessly thrilling about the turbulence surrounding a family that’s crumbling, and the secrets that have been laid bare. Is nothing what it seems? Mattias Edvardsson has written a deeply moving psychological thriller with many layers and many questions, and with answers that surprises.”
Smålandsposten

Inertia by Camilla Grebe has received a rave review in Uppsala Nya Tidning:

“The last book by the brilliant Camilla Grebe, After She’s Gone, was named Best Crime Novel of the Year by the Crime Writer’s Academy in 2017. In the new book Inertia, she uses a different narrative technique. The protagonists take turns telling the story in separate chapters. At the centre is 18 year old Samuel who has found himself on a slippery slope. In the end, his deeply religious mother Pernilla is forced to act against everything she’s ever believed in. Psychologically permeating and incredibly disturbing.”

Camilla Grebe, the winner of The Glass Key Award 2018, has received a rave review in Oskarshamns-Tidningen:

“It’s impossible to lay Camilla Grebe’s books aside until you find out how everything’s connected.”

Inertia is Camilla Grebe’s latest psychological thriller and was recently published by Wahlström & Widstrand in Sweden.

Golnaz Hashemzadeh Bonde’s novel What We Owe, recently published in the US by Houghton Mifflin Harcourt, has received a rave review in The Literary Review:

“Hashemzadeh Bonde depicts a haunting and emotional tale of survival, of what it means to be a refugee. Through the eyes of the narrator, Nahid, the reader vividly sees that fleeing a place is not synonymous with fleeing the complexity of a situation. Through language that is practically poetic, Bonde constructs a story that reads like a love letter from mother to daughter, a letter in which Nahid expresses her deepest regrets and offers the explanation her daughter always craved, but she could never verbalize.”

Read the review here.

Samuel Bjørk’s third book in his bestselling series about Mia Krüger and Holger Munch, The Boy in the Headlights, was just published in Norway and here’s the latest collection of rave reviews:

“The Boy in the Headlights is the best book in the series so far. Here, Bjørk proves he’s in shape and that he’s being playful. The plot is thrilling and well constructed, with many surprising twists. The ending is both frightening and cold as ice. […] Bjørk has an original voice. His style is at times rhythmic and musical, and sometimes he offers constructions we usually find in poetry.”
VERDENS GANG (NO)

“Bjørk proves to be a storyteller that builds and constructs his tales in clever and ingenious ways […] When you think you’re close to figuring everything out, Bjørk gives the story a new turn and the tension holds to the very last page. That’s the way it should be in the great crime novels, and that’s how it is here. […] Bjork writes exceptionally well – there’s a propulsion to both his style and plot that makes it impossible to put down the book before your eyes give up.”
NETTAVISEN, 5/6 (NO)

“An exuberant and dark fantasy. […] There’s an uneasy atmosphere permeating this story urging the reader from page to page in want of a solution. Bjørk’s writing is captivating, and Holger and Mia have established themselves as a couple you like and recognize.”
TRØNDER-AVISA, 5/6 (NO)

“What distinguishes Bjørk from most of his colleages in the thriller genre is his literary talent. His imagery and metaphors are more original, and he’s better at creating associations than most. He creates subsidiary characters we care about, and let’s them sail their own sea in favor of the main plot, as we keep being curious about them. This creates a singular energi which separates Bjørk from the many thrillers that are more adapted for the market. […] Claustrophobic suspense to the very end.”
ADRESSEAVISEN (NO)

Golnaz Hashemzadeh Bonde’s novel What We Owe, published in the UK by Fleet, has received a rave review in The Economist:

“It knots the experiences of three generations of women into a taut and moving account of grief, a legacy handed down from mother to daughter “as sure as the raven-black hair”.”

Read the review here.

The US edition of The Forbidden Place by Susanne Jansson, recently published by Grand Central, has received a review by Book Reporter :

“The Forbidden Place is a slow-boiling novel that combines elements of classic and modern mysteries with discussions of such disparate topics as quantum physics anomalies, ancient mysticism, legends and religion. While there is certainly a mystery within these pages, the police investigation and procedure often take a backseat to philosophical considerations, even as the conclusion features a modern take on Agatha Christie’s “meeting room” whodunit disclosures.”

Read the review here.

The US edition of The Forbidden Place by Susanne Jansson has received a first rave review in Crimereads.com list of debut crime novels to read this September:

“This debut marks the first appearance in English of a major new voice in Scandinavian crime fiction.”
Crimereads.com

The American edition of What We Owe by Golnaz Hashemzadeh Bonde has received rave reviews prior to the publication by Houghton Mifflin Harcourt on October 16th:

“Nahid’s sentences are short and thrillingly brutal, and the result is exhilarating. Hashemzadeh Bonde, unafraid of ugliness and seemingly unconcerned with likability, has produced a startling meditation on death, national identity, and motherhood. Always arresting, never sentimental; gut-wrenching, though not without hope.”
Kirkus

“Life is juxtaposed with death, resistance and revolution and rebirth are woven throughout the pages, and what it means to be a wife, daughter, sister, mother, and woman are unflinchingly examined in this book. This book is a powerhouse, and I don’t use that term often.”
Book Riot

Dorthe Nors continues to receive stunning reviews of her new short story collection Map of Canada:

“Incisive short stories about the distances between people. […] Dorthe Nors’s precise prose moves effortlessly from the smallest perceptible details to the alarming destruction of memory.”
Politiken, 5/6

“Dorthe Nors has a great eye for the peculiarities of ordinary people, the thoughts and desires we don’t share with others.”
Weekendavisen

“Dorthe Nors is great, antiheroistic literature for our time. Read her.”
Elle, 5/6

Danish master of the short story Dorthe Nors has just published a new collection of stories, Map of Canada. Here are excerpts of some of the stunning reviews that has come from Denmark so far:

“Dorthe Nors can make it hurt incredibly in just a few lines.”
Berlingske, 5/6

“Dorthe Nors is a master in the art of suggestion.”
Børsen, 5/6

“Nors is an incredibly honest, observing, and brave author.”
Femina, 6/6

Mirror, Shoulder, Signal by Dorthe Nors has received a rave review by Clare Vaye Watkins in The New York Times:

“Page after addictive page, Nors pushes Sonja beyond her class betrayal and survivor’s guilt, beyond anger at her mother for encouraging her independence, into and, miraculously, out of a profound dislocation of the soul embodied by her vertigo, which bursts forth in a gorgeous, breathless finale. […] Nors gives the invisible woman the dignity of her artful gaze; as Sonja thinks on the masseuse’s table, “It’s wonderful being delved into.” This triumphant novel sounds the depths of women’s unseen strength in a register that reconciles enlightened feminism with working-class rage.”

Read the review here.

What We Owe by Golnaz Hashemzadeh Bonde has received a rave review in The New Zealand Herald:

“She’s a challenging protagonist: abrasive, suffering, contemptuous, judgmental, relentless in her rejections and surgically honest. Short, concussive chapters jerk with sentences that hammer like a machine-gun. Bonde manages to be tender without any sentiment, precise but never reductive. It’s a narrative arc which moves towards a wounded reconciliation. It’s lit by moments of tranquillity and something close to joy but it’s never easy or mawkish. […] Read this short book and marvel; it shakes you to your centre.”

Read the review here.

The US edition of Requiem by Geir Tangen was published by St Martins Press on July 31st, and here’s two rave reviews:

“A dark and slightly creepy thriller that fans of Henning Mankell and Arnaldur Indridason will appreciate.”
Library Journal

“A gripping, suitably atmospheric must-read for Scandinavian crime-fiction devotees.”
Booklist 

A Nearly Normal Family by Mattias Edvardsson has received rave reviews in Sweden:

“This is a real page turner. […] The book is structured in a way that gives us the father’s, the mother’s, and the daughter’s stories in separate parts, and the truth is revealed piece by piece. A perfect summer read on the beach.”
Aftonbladet

“It’s not often that you have a stomache-ache when reading a suspense novel. Usually, the plot is far from one’s own life, so that you’re able to be frightened in a pleasant and comfortable way. In this case, you’re stuck in a state of true unease. The parents’ anxiety is contagious. You grow mad of all that is left unsaid, the lack of communication and trust. At the same time, you understand the characters involved. They are human, through and through, and victims of their own shortcomings as well as the inequality of society and the legal system. Simply put, Mattias Edvardsson writes with impressive psychological drive. The portrayal is so convincing that it feels as though a close friend is caught up in the story. The plot is so skillfully constructed that you don’t find out how it ends until the very last pages  – and then it surprises in every possible way. On top of that, there is a much needed and important critique of the arbitrary way that abused women are treated by the legal system. But, most of all, one is left with a alarming sense of how vulnerable life is.”
Norra Skåne

Mirror, Shoulder, Signal by Dorthe Nors has received a rave review in The New Yorker:

“In flowing and absorbing prose, Nors illustrates how this anxious, alienated woman experiences setbacks and triumphs, proportionate to her carefully enclosed life, and how it might be possible for anyone to overcome immense loneliness and make a connection.”

Read the review here.

The UK edition of Golnaz Hashemzadeh Bonde’s novel What We Owe was published by Fleet on July 5th, and here’s a first rave review from Stylist Magazine:

“In this short yet remarkable novel, Nahid learns she has cancer, and just six months to live. […] Rather than a gentle meditation on a life lived to the full, What We Owe is filled with the rage of a woman who has been through trauma and loss, who has been left haunted by violence, and who wants more from those that love her.”

Falco by Mons Kallentoft and Anna Karolina continues to receive rave reviews from Swedish critics. Here’s yet another one from Ölandsbladet:

“This is a really good thriller, suspenseful and well-written.”

For People Like Us by debut authors Tiina Nevala and Henrik Karlsson has received a rave review in Dagens Nyheter:

“An unexpectedly funny and well-written tale about a newly separated literary scholar who meets an editor at an all inclusive holiday. But the editor is already in a relationship… A classic, romantic story with lots of humor and eerily authentic interiors from the publishing world (including frightening authors) and the university.”

The Finnish edition of What We Owe by Golnaz Hashemzadeh Bonde was published in March, and here are excerpts of recent rave reviews from Finland:

“Bonde’s psychological insight is sharp as a knife, and her character portrayals are touchingly striking. This intense and captivating novel is one to devour in a single sitting. It holds an incomparable courage that strikes the reader like a punch to the face – in the best of ways.”
Ilta-Sanomat

”When [Nahid] finds out that she is terminally ill, she realizes her own will to live. This may sound like a cliché, but it’s quite the opposite. […] The emotions of motherhood are scrutinized with great sensitivity, and the ending causes you to cry violently.”
Kodin Kuhalehti

Mirror, Shoulder, Signal by Dorthe Nors has received a rave review in The Guardian:

“Sonja thinks in wry, quippy sentences and her delivery is deadpan. While her existential malaise contains moments of desperation, there are fabulously zingy one-liners alongside it. This bewitching Danish novel reveals its tragicomic depths gradually.”

Read the review here.

The New York Times has chosen Mirror, Shoulder, Signal by Dorthe Nors as one of the ten new books they recommend this week:
“Nors, the darkly comic and wily Danish writer, is at her most unassuming and ambitious in this novel, which was a finalist for the International Man Booker Prize in 2017.”

Read the editors’ choice of the week here.

The 2017 Man Booker Prize finalist Mirror, Shoulder, Signal by Dorthe Nors has recieved a rave review by Parul Sehgal in New York Times:

“There’s a bracing freshness and chill to the writing, and the unforced ease of a song. […] Nors’s fiction begins at the moment of unmooring — in all its pain and possibility, as these women imagine themselves into being. It’s the foundation, too, of a harsh wit that recalls early Lorrie Moore. […] If her subject is unwavering, her style remains restless, less out of a desire to be ‘experimental’ than out of playfulness and a genuine yearning, one feels, for contact and connection.”

Read the full review here.

The 2017 Man Booker Prize finalist Mirror, Shoulder, Signal by Dorthe Nors is listed as a summer book to get excited about by Buzzfeed:

“Dorthe Nors’ protagonist, Sonja, is an unassuming, fascinating character, whose quiet journey through learning how to drive manages to illuminate the angst of her very existence. […] Sonja’s little victories feel monumental, in the way your own little victory might. It’s because Dorthe Nors has created a woman merely doing what we all are — trying to figure out how to live.”

Read more here.

First review for Running Through Fear by Kristina Paltén and Desirée Wahren Stattin. Out now in Sweden.

“The first pages grab hold of me. It’s incredibly thrilling and the book offers a lot of moments of identification.”
OUTSIDE (SE)

Dorthe Nors has just gotten a starred review from Kirkus Reviews for her novel Mirror, Shoulder, Signal:

“In this tautly observed novel, Nors reveals a middle-age woman on the verge of disappearance and discovery. […] Nors is an exquisitely precise writer, and in rendering her heroine’s small disruptions and, yes, victories, she is writing for, and of, every one of us.”

The US edition of Mirror, Shoulder, Signal will be published by Graywolf on June 5th, 2018.

The German edition of Susanne Jansson’s The Forbidden Place (Opfermoor) has just been published by C. Bertelsmann, and here’s a first rave review from radio station SR, which also named the book their crime novel recommendation of the week:

“The Forbidden Place by Susanne Jansson has captivated and fascinated me. I have devoured this debut novel packed with psychological suspense and forces of nature in one sitting. […] The milieu that Susanne Jansson portrays is astounding and the language with which she does so couldn’t be more beautiful. […] Simply magnificent!”
SR 3 Saarlandwelle

Rave reviews for Geir Tangen’s thriller Maestro, published by House of Books, in the Netherlands:

“A dream debut from a Norwegian writer. Geir Tangen has written a very good thriller.”
Boeken Bijlage

“Geir Tangen is without a doubt a new star on the Scandi-thriller scene. His writing style is flawless, his language is simple and extremely effective and most importantly, the characters have depth. The story is visually written and it’s captivating from the start.”
Perfecte Buren

Geir Tangen’s thriller Maestro continues its success among readers and critics in the wake of the Swedish publication by Forum.

Renowned crime critic Lotta Olsson from Sweden’s biggest daily Dagens Nyheter:
“Geir Tangen (who is known as Norway’s best-known crime book blogger) writes with an energy that compensates for the most unlikely of scenarios, which makes for a story of incredible drive and high pace.”

Tangen also recieved a rave review on national TV-show Gokväll:
“Most crime novels follow an obvious pattern, but this one stands out in a great way. […] I really like to see a twisted take on a genre that normally is so static. […] A great debut which promises more!”

Susanne Jansson has just gotten a rave review in Denmark for The Forbidden Place:

“Can a suspense novel about a misty bog be thrilling? Hardly, you might think. But then you’d be wrong. Because with her debut novel Susanne Jansson writes herself into the tradition of distinguished Swedish crime writers, who we hope to hear more from.”
Nordjyske stiftstidene

The Danish edition of The Forbidden Place was published on January 12th.

Zack by Mons Kallentoft and Marcus Lutteman is hailed as top-notch Swedish noir by Booklist:

”Fallible, fullbodied characters drive an absolutely riveting plot by acclaimed crime-fiction writer Mons Kallentoft in collaboration with biographer Lutteman. Top-notch Swedish noir.”

Zack is the first novel in a successful series featuring Zack Herry, the brilliant but unconventional star of the Stockholm police force.

Read the full review here.

Camilla Grebe’s crime novel Diary from My Disappearance was praised by Leif GW Persson in his round up of the best Swedish novels this year. Persson is an iconic crime writer, professor of criminology, and widely appreciated TV-host.

Christoffer Carlsson’s last installment in the Leo Junker series, The Thin Blue Line, has just been named one of the best suspense novels of 2017 by Borås Tidning. Here’s what their critic had to say:

“Read it. This is a series that is set to become a future classic. Non-stop enjoyment from The Invisible Man From Salem (2013) until now, the final book.”

Åsa Avdic’s thriller The Dying Game has just received a great new review:

“The Dying Game is an excellent Shutter Island vs. The Hunger Games lovechild. […] A riveting and an excellent read for those who enjoy entering a world where psychological torture is but a game.”
W24 (UK)

The UK edition of The Dying Game was published by Windmill Books on November 2nd.

Geir Tangen’s debut novel Maestro has been chosen as the crime novel recommendation of the week by German radio station WDR 2’s show Krimitipp:

“Maestro by Geir Tangen plays with many clichés and at first it might not seem innovative, but that game is what makes him so special. A highlight for all fans of Scandinavian crime!”

The German edition of Maestro, titled Seelenmesse, was published by Goldmann on October 16th.

Camilla Grebe’s latest novel, Diary from My Disappearance has just received this rave review from renowned critic Ingalill Mosander at Aftonbladet:

“A page-turner that is both an insightful portrayal of our society as well as a skillfully constructed suspense novel. And, not unexpectedly, shortlisted for the Crime Novel of the Year Award.”

Åsa Avdic’s  The Dying Game has just gotten a great review from Heat Magazine:

“With a scary dystopia core and a foreboding that lurks on every page, this is terrifying stuff.”

The UK edition of The Dying Game was published on November 2nd.

Expecting – The Swedish Way by Agnes Wold and Cecilia Chrapkowska has just gotten yet another great review:

“Cecilia Chrapkowska and Agnes Wold’s Expecting – The Swedish Way gets right to the heart of it: that pregnancy and infancy isn’t just a rosy bliss. […] There’s something 70’s-esque about the straightforward and informative writing, without being wrapped in flowery language and completely free from romance and sentimentality. In the best of ways. […] Educative and interesting.”
Aftonbladet

Åsa Avdic has just received a great pre-publication review for The Dying Game from The Sunday Times: 

“Resembling Agatha Christie at her zaniest, this fascinating, ever-changing scenario is deftly and grippingly handled.”

The UK edition will be published by Windmill Books on November 2nd 2017.

Golnaz Hashemzadeh Bonde keeps getting rave reviews for What We Owe:

“While navigating themes like illness and impending death that are rife with the potential of misstep, she succeeds in creating a completely unsentimental story and is faithful to Nahid’s voice to such a degree that I forgot that there was a writer behind it. I got to know a person so deeply, in a way I have not before, and catch myself wanting to agree with Nahid. To say the world ought to have treated her better, that life ought to have been better. But I have gotten to know her so well that I also know that she would push my embrace away with a sneer. No matter, Nahid is indispensable to Swedish literature’s cast of characters, and I am deeply grateful that Golnaz Hashemzadeh Bonde has give her to us.”
EXPRESSEN

Susanne Jansson has just gotten a brilliant new review for The Forbidden Place:

“Jansson paints an atmospheric and mysterious portrait of the mire with the help of mist, light, and old legends. It becomes a place where life and death collide, a sort of anteroom to the realm of the dead. […] Since The Forbidden Place is one of the absolute best suspense debuts this year, I’ll gladly return to the enthralling milieus of Dalsland and to the joie-vivant Maya and her way of seeing things through images again.”
CRIMEGARDEN

Camilla Grebe has just gotten a great review for Diary from My Disappearance from renowned suspense critic Lotta Olsson at Dagens Nyheter:

“The atmosphere is quite horror movie-esque in Camilla Grebe’s tenth suspense novel, which is one of her best ones yet. […] Grebe handles her Ormberg with understanding and sensibility, and she succeeds in portraying something entirely new through her carefully constructed and eccentric cast of characters.”

Here’s a great new review for Christoffer Carlsson’s October Is the Coldest Month, which was published in the UK and Australia in June:

“this Scandi thriller is short and taut — and all the better for it. Carlsson’s spare style suits the bleak rural setting he portrays in a remote part of Sweden where inhabitants earn a living by hook or by crook.”
NEW ZEALAND WEEKEND HERALD

Agnes Wold and Cecilia Chrapkowska’s groundbreaking parental guide Expecting – The Swedish Way keeps getting attention in Swedish press. Here’s another rave review:

“Are you of the opinion that the Trump administration relies on alternative facts? That is nothing compared to what women are confronted with as soon as they get pregnant. In the parallell pregnancy reality the alt-facts are commonplace. ‘Truths’ are constantly foisted on you, and shockingly enough they often turn out to be intrusive opinions, moralism, or pure inventions. […] If The Handmaid’s Tale is an exaggerated and dramatized reminder of the anxiety of becoming breeding stock, Wold & Chrapkowska’s book can be a crucial antidote. One by one, they deal with some well-known ‘truths’ related to bearing and birthing and propogated by official institutions, e.g. the variety of advice on what you can eat and drink during pregnancy and breastfeeding – some are correct while other recommendations seem to have been inspired by Christian faith and morality rather than rooted in science.”
Catia Hultquist, Dagens Nyheter

Camilla Grebe’s latest thriller, Diary from My Disappearance, has just gotten a rave new review:

“Diary from My Disappearance is an excellent, stand alone sequel to the acclaimed The Ice Beneath Her. The way the perspectives are interlaced in this story about a cold case murder in a de-populated town is incredibly skillful and well done.”
Tara

Here’s a great new review for Expecting – The Swedish Way:

“Agnes Wold has been a guiding hand when I’ve been pregnant and had small children. A more comforting hand than various parenting bibles, a more allowing hand than the leaflets from the maternity care and the child health centers. She gives the parent more room to be a human being, and less bad conscience. […] What parents need is advice based on science and level-headed tips. And some encouragement.”
Heidi Avellan, Sydsvenskan

Golnaz Hashemzadeh Bonde’s stunning novel What We Owe continues to get rave reviews:

“The style is effortless and matter of fact, and the author has a way of giving each sentence heat and weight. […] Literature has a habit of simplifying lives to ’stories’. In many such stories I’ve read, dying people are full of gratitude over the years and experiences they’ve been given here on earth. Nahid is not grateful. She is full of bitterness and rage. Justified rage, I think, against Khomeini and the Islamic dictatorship in Iran, against her father’s illness and her own, against the husband she loved but who hit and kicked her when she wasn’t being submissive enough. Rage and bitterness are often considered harmful and consuming, especially to women. Nahid draws her strength from her rage. She burns. Until the very last breath.”
aftonbladet

Read the review in full here.

Christoffer Carlsson has just gotten a rave review for October is the Coldest Month from The Sydney Morning Herald:

“Everyone knows about Scandi noir but are you aware it extends to teen fiction? October is the Coldest Month is one of the first YA novels of its kind to be translated into English. It should win over a younger audience to the ice and the cold, the grime and grit the genre does so well. […] Vega Gillberg is 16 when the police come looking for her older brother Jakob, who’s vanished after an appalling crime. She has mixed motives for finding him before the cops do. Vega braves the hard faces and long-held grudges of a rural Swedish community. On one level, she’s a typical adolescent  and on another, as we learn more about her complicity that fateful night, Vega has come of age, stepping into an adult world full of doubt and menace. Taut, tense and thick with atmosphere.”

The Australian edition of October is the Coldest Month was published by Scribe on July 3rd.

Dr. Bertil Marklund has gotten a great new review from Publishers Weekly for his book The Nordic Guide to Living 10 Years Longer: 10 Easy Tips for a Happier, Healthier Life, which was published in the US and Canada in May:

“Marklund, a doctor and professor at Gothenberg University in Sweden, packs many good things into this small package. His slim book distills medical research, as well as observations from his 20-year practice, experience as a public health specialist, and the Scandinavian way of life, into 10 tips for good health. They are eminently practical, reasonable, and straightforward to implement. […] He explains the science behind each in a refreshingly unpretentious, down-to-earth, thoroughly convincing way that encourages readers to follow his suggestions. […] Readers looking to improve their health without extreme diets or fads, and those who feel overwhelmed by the overload of available health information, must read this book.”

Publishers Weekly has selected The Dying Game by Åsa Avdic as their book of the week, saying:

“Agatha Christie meets George Orwell in journalist Avdic’s unsettling first novel, set in Sweden in 2037 […] Avdic not only constructs a fascinating and original plot but makes her imagined reality chillingly plausible.”

Lotta Olsson, literary critic at Dagens Nyheter, states in her review of The Thin Blue Line that “stylistically, Christoffer Carlsson is one of Sweden’s best crime writers”

Read the full review here.

Bustle has just chosen The Owl Always Hunts at Night as one of “15 Heart-Pounding Thrillers For Your Summer TBR List” with these words:

“Expertly paced and thoughtfully plotted, The Owl Always Hunts at Night will leave you shaken to your core.”

The US edition of The Owl Always Hunts at Night was published by Penguin Books on June 6th.

Åsa Avdic has just gotten this great pre-publication review from Booklist for The Dying Game:

“An Orwellian debut novel that never lets up.”

The US edition of The Dying Game will be published by Penguin Books on August 1st.

The Irish Times has just chosen Christoffer Carlsson’s October is the Coldest Month as one of the best recent YA books:

“Christoffer Carlsson’s October Is the Coldest Month, translated deftly from the Swedish by Rachel Willson-Broyles, is one of the first Scandi noir books for teens to be published in the UK. In a small rural community, the arrival of a police officer at the front door prompts 16-year-old Vega to find her older brother, Jakob, and uncover the truth about what happened the night a man died. The desolate landscape is the perfect backdrop for this taut tale of old family feuds and unfurling secrets.”

The UK edition of October is the Coldest Month was published by Scribe last week.

Starred review for Åsa Avdic’s The Dying Game in Publishers Weekly:

“Agatha Christie meets George Orwell in journalist Avdic’s unsettling first novel, set in Sweden in 2037. A coup has led to a state of martial law and the country’s transformation into a protectorate under the aegis of an international entity known as the Union of Friendship. Anna Francis, a bureaucrat, is estranged from her family and tempted by an unusual job offer from a high official called the Chairman. The Chairman explains that the secret RAN Project is short-handed and that a psychological exercise has been devised to identify a suitable new member of the team: prospective candidates are to be transported to a remote island, along with Anna, who will pretend to have been murdered, so that she can covertly observe their reactions to the unexpected trauma. Things don’t go as planned, and Anna soon has a real murder to deal with. Avdic not only constructs a fascinating and original plot but makes her imagined reality chillingly plausible.”

The US edition of The Dying Game will be published by Penguin Books on August  1st.

Christoffer Carlsson keeps getting praised for The Thin Blue Line:

“The brilliant and initiated storyteller Carlsson has previously written three books about Leo Junker. Sadly, The Thin Blue Line is the last one. The reasoning, contemplating, and at times poetic style of this book could be followed by yet another Junker story, but I’m sorry to say it comes to an end here.”
Skaraborgs Allehanda

Malin Persson Giolito has just gotten a fabulous six star review for Quicksand in Norway:

“The reader gets sucked into the story from the very first page… The protagonist in Quicksand makes observations about her surroundings: they are sharp, relentless, and at times truly witty – brilliantly portrayed by the author. […] Much is at stake for the protagonist, Maja, where she stands as the accused. Malin Persson Giolito handels this excellently. She writes in an unvarnished, ‘no-nonsense’ and direct style, where everything is played out through the eyes and mind of Maja. Never for a moment does it fall flat, but it is rather to the point and elegant. And well-balanced, because it never tips over in cynicism. […] Quicksand was named Best Crime Novel of the Year by the Swedish Crime Writers’ Academy in 2016. Incredibly well-deserved.”
Bok 365

The Norwegian edition was published by Cappelen Damm on April 21st.

Dorthe Nors continues to enchant UK critics with Mirror, Shoulder, Signal. Here’s a new rave review:

“Occasionally irritatingly scatty, Sonja is a character one can warm to, while appreciating her quirkiness. Although little happens, Nors’s prose captures the disappointments, loneliness and desires of middle-aged single life. A heartfelt, darkly funny and addictive read that will leave you longing for more.”
The Lady

The fourth and final installment in Christoffer Carlsson’s bestselling Leo Junker Series is due to be published on May 10th and it just got a rave review in public service television broadcaster SVT’s morning show, Gomorron Sverige. Host Marianne Rundström called Carlsson “one of Sweden’s sharpest crime writers”, and leading critic Magnus Utvik had the following to say:

“It’s very rare in a crime novel to find that the author is so rooted in regular police work. […] There are great relationships between characters, psychological depth and an incredible drive. […] The style is effortless, there’s not a sentence out of place.”

Rave review for Samuel Bjørk’s The Owl Always Hunts at Night from The Daily Express:

“Norway’s most famous artwork is Edvard Munch’s The Scream and Norwegian author Samuel Bjørk gives Jo Nesbø a run for his money in conveying the pain and rage beneath the country’s placid surface. This sequel to I’m Travelling Alone sees the return of the brilliant but damaged investigator Mia Krüger and her appropriately named boss, Munch. The plot is competently handled but the brilliantly drawn angsty sleuths kept me hooked.”

The UK edition of The Owl Always Hunts at Night was published by Transworld / Penguin Random House on April 20th and it immediately entered The Sunday Times‘ bestseller list for hardcover fiction at #8.

Dorthe Nors has just gotten a fantastic review in The Economist for Mirror, Shoulder, Signal:

“Dorthe Nors’s novel is a magnificent exploration of anxiety. Mirror, Shoulder, Signal introduces a writer who is both funny and brave. […] Nors, in contrast, turns her gridlocked human traffic into a transport of delight.”

Read the review in full here.

Today is the publication day for the UK edition of The Owl Always Hunts at Night and here’s a first stunning review from The Irish News:

“There’s something about Scandi-crime fiction that sets it apart from the norm and the second novel in Norwegian author Samuel Bjork’s Munch and Kruger series exemplifies everything that is great about the genre. […] Told in short, compelling chapters that alternate between several perspectives, Bjork creates a unique, twisting, unsettling thriller that really epitomises the phrase ‘page-turner’. And at the heart of it are two police officers whose own emotional battles are as enticing as the crime they are investigating. Read as a standalone novel or as part of the series, the book works equally well. In fact, there is very little to fault in this Nordic crime thriller par excellence.”

Great new review from Skånska Dagbladet for Susanne Jansson’sThe Forbidden Place:

“The Forbidden Place navigates both the horror and suspense genres, and does not veer away from supernatural elements. As a contrast, it also offers interesting glimpses into Nathalie’s scientific work and police photographer Maya’s pondering about photo art. All in all this is a well-written and refreshing debut.”

Susanne Jansson has just gotten a rave review from renowned crime book critic Lotta Olsson at Dagens Nyheter:

“The atmosphere is what makes me fall, head over heels: a lonely woman who rents out her city apartment and heads out into the wilderness. […] Susanne Jansson skillfully builds mounting uncertainty. Is there something supernatural out there, in the mire? Or is there a person using the lore for their own purposes? Does Nathalie have more reasons for coming to the mire than she lets on? […] The Forbidden Place is one of the best and most complete debut novels I’ve ever read.”

Read the full review here.

Samuel Bjørk has just received a great pre-publication review from Publishers Weekly for his bestselling crime novel The Owl Always Hunts at Night.

“The tension and stakes increase exponentially over the course of this meticulously plotted tale. […] Bjork’s character work is excellent and imbues the story with nuance and heft.”

The US edition of The Owl Always Hunts at Night will be published by Penguin on June 6th.

Read the full review here.

Dorthe Nors’s Man Booker International Prize longlisted novel Mirror, Shoulder, Signal has gotten yet another rave review from the UK:

“This novel reads like a sort of Danish Woody Allen; existential, domestic, gently humorous. […] On the one hand, this poetic, thoughtful book is an affectionate send-up of the modern Nordic mindset. But in a deeper way it’s a love letter to a vanished land, that of childhood.”
The Daily Mail

Malin Persson Giolito’s critically acclaimed novel Quicksand, which was published in the US last week, has just gotten a rave review from The Washington Post:

“A remarkable new novel from Sweden […] Giolito, who practiced law before she turned to fiction, writes with exceptional skill. […] Giolito keeps us guessing a long time and the outcome, when it arrives, is just as it should be.”

Read the full review here.

Mirror, Shoulder, Signal by Dorthe Nors continues to garner fantastic reviews by leading critics. Here are excerpts from The Guardian and Financial Times:

“Nors is at her most trenchant and empathic when her protagonist, riddled with superstition and uncertainty, is inwardly soliloquising […] When Sonja’s narrative breaks free of the corner she has boxed herself into, the prose swoops and soars like her yearned-for whooper swans. It’s at these moments that Nors’s reinvention of experimental fiction is so marvellous: the remainder of her backlist should not disappoint.”
the guardian

“Mirror, Shoulder, Signal has just been published in Britain and will raise Nors’ profile further. […] Nors writes important modern women’s fiction. It is an act of 21st century recovery and assertion: she gives back agency and centrality to older women, sidelined in all societies, even Scandinavian ones, where women are valued less than men, and childless, single women least of all.”
Financial Times

The Danish edition of Geir Tangen’s debut novel Maestro was published by Modtryk on January 31st and the reception has been fantastic. Here’s the latest rave review:

“There are crime novels you simply have to read. Well-written and with a level of suspense that is heightened page after page, a touch of humor and characters who are exciting, authentic, and each with their individual qualities. Geir Tangen is a master in his own right. He conducts his plot with elegance and linguistic precision.”
Fyens Stiftstidene

Dorthe Nors’ praised novel Mirror, Shoulder, Signal has just received this fantastic pre-publication review from The Big Issue in the UK:

“The experience in reading about Sonja’s heroic struggle to get out of a crummy rut is very moving. Perhaps because Nors’ watchful eye, as well as often seeing the humour in regular situations, creates characters so believable in their small, everyday battles that we can’t help but care. Even more important, though, is the tenderness of her writing; the feeling she is giving much of herself away, wincing with Sonja’s everyday slight, warming with every moment of unexpected affection. It’s from that generous spirit of self-sacrifice that this novel gets its heart.”

The UK edition of Mirror, Shoulder, Signal is to be published by Pushkin Press on February 23rd.

Sweden’s biggest daily newspaper Dagens Nyheter has chosen The Spy with No Country as one of their five favorites from last week. Renowned critic Lotta Olsson writes:

“Espionage, poisoning, and high-level politics in a story that comes frighteningly close to the current international reality.”

Camilla Grebe has just received this rave review for The Ice Beneath Her from Bookpage:

“When a new Scandinavian mystery hits the stands, you pretty much know it’s going to be good, and Swedish author Camil­la Grebe’s The Ice Beneath Her, translated by Elizabeth Clark Wessel, does not let the team down. All the tried- and-true adjectives apply here: gripping, atmospheric, nuanced and, of course, graphically violent. […] Through it all, the true killer remains as elusive as smoke on a breezy day, and when the twist comes, it’s one that even jaded Nordic noir fans likely won’t see coming.”

The Ice Beneath Her was published in the US on December 27th.

Ahead of the US publication in February, The White City by Karolina Ramqvist continues to garner fantastic pre-publication reviews. Here are excerpts from the most recent ones, from Shelf Awareness and Booklist:

“The White City is rich in language and ambience. Moody, mysterious, maternal and magnetic […] it is a haunting novel of a woman adrift yet firmly attached to romantic memories of her lover and the simple needs of her daughter […] Like a Madonna of the tundra, Karin is a resilient and irresistible protagonist, and Ramqvist is a serious contender for the Swedish literary limelight.”
Shelf Awareness

“The ghostly Scandinavian setting and Karin’s closely narrated sense of impending doom, baby cooing patiently at her hip, make Swedish star Ramqvist’s English-language debut an atmospheric and suspenseful read.”
Booklist

Camilla Grebe’s critically praised psychological thriller The Ice Beneath Her has just been published in the US by Ballantine. In the lead-up to publication, the book received starred reviews from both Kirkus and Publishers Weekly:

“The decapitation of a young woman propels Grebe’s exceptional solo debut, which examines three lives broken by failures to take responsibility in a Stockholm where ‘even the sky is crying’.”
Publishers Weekly

“Veteran coauthor Grebe takes her first solo turn in this tale of three troubled souls linked by a horrific crime—and what a turn it is. […] Each of these stories—Peter’s, Hanne’s, and Emma’s—is compelling enough to fuel an entire novel; Grebe’s skill in weaving them together is impressive. A tour de force that lifts its author to the front rank among the increasingly crowded field of Nordic noir.”
Kirkus

The US edition of Malin Persson Giolito’s novel Quicksand will be published by Other Press on March 7th 2017 and this rave pre-publication review has just come in from Kirkus:

“Sharp social commentary through the tragic story of a young woman’s trial for mass murder. Swedish novelist Giolito begins her English-language debut with a powerful view of a crime scene. To the narrator, 18-year-old Maja, her fellow classmates are still in the present tense, the horror not yet real. As she tells her tale we understand that she is at the center of a school shooting perpetrated by her boyfriend, Sebastian Fagerman, and the question is whether she is complicit. Both teenagers come from privileged backgrounds, she from a loving home she has no patience for, and he the son of “the richest man in Sweden,” who verbally abuses him. Giolito keeps the narrative moving quickly, alternating between the present tense of Maja’s jail cell and the courtroom and her memories of parties and travels with her jet-setting boyfriend, though as Maja says,’there are no chapters in this mess.’ That mess takes in the uneasy place of race in modern-day Sweden and the voracious press that amplifies the details of everything in Maja’s young life. There is no suspense in the shooting of Amanda, Maja’s best friend, or of Sebastian. She did it and admits to it. The literary anticipation here is in the telling of the tale, the facts that turn the story to something else, and yes, the verdict. The rhythm, tone, and language are just right, due in great part to the fine translation by Willson-Broyles. Giolito gives us the unsettling monologue of a teenage girl as she works her way through her role in murder. It is a splendid work of fiction.”

Here’s a new rave pre-publication review for Malin Persson Giolito’s novel Quicksand, which will be published in the US come March 2017:

“Giolito’s astonishing English-language debut is a dark exploration of the crumbling European social order and the psyche of rich Swedish teens. […] In crafting a first-person narrative told by a school shooter, many authors would go too far, creating and overly likable character; Giolito masterfully walks this fine line, developing a protagonist whom readers will remain intrigued by and ambivalent about, but who they won’t necessarily like. Giolito’s past as a lawyer and as a European Union official poke through the pages as she exposes the curing racism that refugees in Europe endure, even in supposed left-wing-idyll Sweden. Praise must also go to translator Willson-Broyles, as the incisive language that’s on display here surely involves translation precision that’s second to none.”
Booklist, starred review

Joakim Zander’s celebrated second novel The Believer will be published in the US on January 17th, 2017. The book has just gotten this starred pre-publication review from Booklist:

“Zander has written another compelling, timely, and character-centered thriller, and many readers will look forward to what he does next.”

Karolina Ramqvist has just received this rave pre-publication review from Kirkus:

“Though the plot of Ramqvist’s English debut may make it sound like a crime thriller, the pace is lulling, the writing sensuous and patiently observed. So much of the book, in fact, consists of long scenes of Karin nursing Dream or spending hours watching the infant play that the book feels, more than any thriller, like an allegory of parenting. […] as Karin, quite literally, works to keep Dream alive against a backdrop of violence and deception, readers root for both characters to find their way. Delicate and unsparing.”

The US edition of The White City will be published by Grove Atlantic on February 7th 2017.

In the lead-up to the US publication of Joakim Zander’s novel The Believer, this fantastic pre-publication review from Kirkus has just come in:  

“Zander’s latest page-turning political thriller weaves three interconnected stories into a hypertopical tale of international intrigue. […] Zander’s twisting, high-octane plot could not be more timely, but it’s the characters, all three of them, that bring this vivid novel to life. Suspenseful and primed for Hollywood adaptation, this is escapist fiction at its best.”

Here’s also a new, rave review from the UK:

“The Brother by Joakim Zander is a prime slice of Nordic noir. Zander is part of the influx of new blood into the genre, and this second novel is both forceful and subtle. […] What we have here are two crucial ingredients of Scandicrime: powerfully orchestrated tension set against a strong dose of social commentary.”
The Independent

Dorthe Nors’ latest novel Mirror, Shoulder, Signal has just been published in Sweden by Ordfront to fantastic critical praise. Here are a few excerpts:

“A slender novel bursting with substance and sharp turns. What’s beautiful about it is that you haven’t got a clue of where you’re going, and yet you’re wholly enjoying the ride.”
VI LÄSER

“An exquisite little novel, that feels bigger than most and that makes my heart beat.”
UPSALA NYA TIDNING 

“Ninni Holmqvist has exquisitely translated Dorthe Nors’ funny and beautiful novel about alienation and finding a home within yourself. It’s so easy to both recognize yourself and to feel for Sonja’s struggle that I, both during and after reading, tear up from giggling as well as from the solemn sensation of how peculiar life actually is. Or how singular this novel is and how rich I feel from having read it.”
BORÅS TIDNING

“Dorthe Nors writes sparsely yet at the same time poignantly and hilariously, finds the words that captures the details, the situations, the relationships sometimes with a dizzying twist, sometimes with a social-realistic accuracy of aim.”
KULTURNYTT, SVERIGES RADIO

Åsa Avdic’s page-turner Isola continues to garner praise. Here’s a fantastic new review from  Sydsvenskan:

“Isola is a well-constructed paranoid thriller […] Full of unexpected twists and turns, power games, and realizations that no one is to be trusted. With a pro