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Alex Schulman (1976) was born in Skåne in the south of Sweden and grew up in the Stockholm suburb Farsta. He has had a successful career as a journalist, blogger, television and radio host, and has produced several stage performances. Since 2012, he runs Sweden’s most popular weekly podcast, Alex & Sigge, with several hundred thousand listeners every week.

Schulman made his literary debut in 2009 with Hurry to Love, which was dedicated to his deceased father, the journalist and television producer Allan Schulman. In 2011 he published his second book, To Be With Her, about his wife. His third book Forget Me, about his relationship to his alcoholic mother, was named Book of the Year in Sweden in 2017.

In November of 2018, his fourth book, Burn All My Letters, was published and became a runaway bestseller. Burn All My Letters has been unanimously praised by readers and critics alike, and it was featured on the prestigious critics’ list in Sweden’s biggest daily newspaper Dagens Nyheter for five consecutive weeks.

With his fifth book and his first novel, The Survivors, published in 2020, Schulman made his big international debut. Sold to thirty-three countries and published to great critical acclaim around the world, The Survivors has established Alex Schulman as a literary force to be reckoned with on the global stage.

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“Twists the hearts until is breaks at the edges.”
Borås Tidning (SE)

Sveriges Radio, Kulturnytt P4 (SE)

“Schulman has his pain and knows how to use it, and does so in a perfect pitch.”
Helsingsborgs Dagblad (SE)

“This is a novel that is highly readible – the author makes me remember my own childhood: the emotion and experience of it. I can literally feel the scent of the mother’s pasties slowly defrosting in the car. […] The language is beautiful and the story is dark, while also deeply heartfelt. Let’s hope there will be many novels to come.”
Tranås-Posten (SE)

“This is a story with brilliantly depicted scenes. We are fully present – at the house by the lake, on the paths through the forest, among the birds and the insects, in the play of the light. There is an almost antiquated rhythm to the nature destructions, which brings to mind the writing of Pär Lagerkvist or Harry Martinson. And then there is the low-intensive, psychological drama that is constantly alive between these five damaged souls. At its worst, the brothers band together, but just as often they are played against one another. Schulman allows his scenes to take time, interjects new details slowly. Above all, he has an ear for dialog. I often find it surprising how many novelists let their characters sound the same; in Schulman’s book on the other hand, the lines always reflect the speaker. He creates a truly dark image of a family. Yes, the violence and the humiliation are arresting, but just as harrowing is how the parents appear steeped in total indifference. The children seem to see themselves only as a burden. They have developed different strategies to survive that realization. […] This may be the beginning of an important authorship.”
Dagens Nyheter (SE)

“Schulman’s literary prowess is indisputable. […] The children’s abandonment is depicted with linguistic sensitivity – but without concealing the brutality. […] Death is constantly present. It prowls in the shadows, extends its hand, retracts it. In this movement a vibrating and terrifying suspense arises, which finally explodes and hurls the brothers into a life defined by alienation and trauma.”
Aftonbladet (SE)

“In several books, Alex Schulman has skillfully depicted an auto-ficitonal tale of a dysfunctional family rife with addiction, violence and love. The Survivors uses similar material, but now in pure fiction, without auto-pilot. The story gains from it, the reader is invited into the narrative in an entirely new way; the novel skillfully draws on the reader’s own childhood, their own terror, in order to compel the story forward.”
Sveriges Radio, Kulturnytt P1 (SE)

“Schulman has his painful pressure points and knows exactly how to use them. […] He is tremendously good at telling a story that grabs hold.”
Sydsvenskan (SE)

“Damn elegant. The story is saturated with drama, but Schulman works just as much with small details, everyday occurrences that appear inconsequential for an outsider but which become lasting, razor sharp memories for a child. […] However rooted in his own biography he may be, Alex Schulman is clearly sliding into a more free fictional prose. Between the lines we glimpse an author with his gaze set on the horizon, ready for the next step. I am curious where that will take him.”
Svenska Dagbladet (SE)

“Schulman uses sound, light, and the boys’ memories of an early summer in order to depict the terror that breaks out between the brothers when they splash in the water and the shore seems to disappear. In this moment, Schulman has an exact pitch in every sentence. I experience their strokes in the water heavy as death and the angst the brothers feel is also mine. […] The chapters about the boys’ childhood are the book’s strength, its nerve. In those scenes, Schulman wants much and throws everything down. His soul? That is how it feels at times, and it is worthy of great admiration. […]. What surprises me most is Schulman’s ability to make the world appear a little bit bigger. He moves borders, travels through time.”
Expressen (SE)

“Schulman is a master at depicting mood and emotional pitch. His vulnerability strikes like a dagger to the heart. […] The story’s dramatic crescendo, the explanation for a life of self-loathing and bottomless angst for our protagonist Benjamin, leaves me as a reader in a state of acute shock. But maybe that is what good literature should achieve.”
Alingsås Tidning (SE)

“Schulman is quite simply a master of portraying emotions and at making the immediacy of the text run through your body like an electrical shock.”
Tidningen Vi (SE)

“Alex Schulman skillfully navigates through a vulnerable adolescence. His writing is emotionally arresting, it’s impossible to resist.”
Ingalill Mosander, Aftonbladet (SE)

The Survivors is a book about longing and uncertain love, about adult betrayal, about brothers who take on a parent’s responsibility in protecting and caring for each other […] It is also a book that balances on the razor thin edge of melodrama, without tipping over.”

“Empathic and searing about the trauma caused by self-absorbed parents. … [The Survivors] is sensuous and intense, written in the third person singular and with a point of view that lies close to Benjamin, packed with captivating scenes and a composition that executes the cinematic oscillation between the past and present well. […] A vulnerable family tragedy about parents who betray, and children who get life-threatening mental wounds, yet survive.”
Stavanger Aftenblad, 5/6 Stars (NO)

“A clever family drama with vitality and nerve. […] As a reader, I experience this book as highly visual: the portrayal lends much from the language of cinema. The unfolding of the events that shaped the characters are intriguingly laid out, as in a clever thriller but without the expectancy of sudden death and murder à la Nordic noir. The focus of the narrative is kept very narrow. We never learn what becomes of the brothers, what jobs they take, or what the parents do for a living. The entire propulsion of the story remains within the scope of the family’s inner workings, something that remarkably causes the pages to turn themselves.”
Adresseavisen, 5/6 Stars (NO)

The Survivors is a very surprising novel. […] Throughout The Survivors Schulman showcases his delicate ability as an observer and his strength as a writer. His method is to draw up scenes and then dissect them afterwards. […] The level of truth is established in a way that beautifully fits into the contemporary way of molding literature after real life. What’s so remarkable about this novel is how childhood trauma hits you even harder in the novel form than when you hear Schulman himself talk about it. With The Survivors, Schulman proves how literary tales exceed the ‘strong’ stories of real life.”
 Morgenbladet (NO)

“Alex Schulman has chosen to tell a heartfelt and dark family drama in The Survivors – a novel that earns its title. To be clear: At his best, we see in Alex Schulman the contours of one of the best Nordic writers of today. The story about the family – the three brothers, the increasingly alcoholic mother, the father who comes and goes – becomes a sort of chamber play at the cottage, gradually alternating to life in the city apartment. It hurts and is pressingly dense, with the constant threat that something will come crashing down. Or rather someone: the mother or the father, the ones who are supposed to protect you in this life. […] Schulman also elegantly shows how there are different stories, truths, and realities within the three brothers as the story progresses – and regresses. […] This is one hell of a wonderful novel. […] The images that Schulman paints are exceptionally beautiful. […] Schulman can deliver these linguistic images without ever making them seem too much or pretentious, never affected or constructed.”
Bok 365 (NO)

“Oh, how it hurts! The poor children! And the poor parents! The Survivors is a brilliant psychological drama about bottomless grief that spreads like a poison until all love has been obliterated and only violent and unbearable loneliness remains.”
Jyllandsposten, 5/6 Stars (DK)

“Best book of the year? Swedish writer Alex Schulman’s novel The Survivors may be the book that has given me the most profound reading experience this year. In a very long time, actually. Honestly, I sobbed my way through the novel’s last pages. […] The Survivors is a fantastic book.”
Femina, 6/6 Stars (DK)

“Alex Schulman is brilliant and impresses with one of this year’s biggest reading experiences, and I dare say that even though it’s just the beginning of the year. […] This is a gut-punch of a novel about innocence, loneliness, repression, and fragile family dynamics. The pieces fall into place late in the novel – in a single sentence. Perhaps it must be read a few times before it sinks in. My reaction was literally to throw the book in the air! It actually felt like when you get burned and react instinctively! […] The Survivors is reminiscent of Norwegian writer Carl Frode Tiller’s eminent novel Beginnings, which was nominated for the Nordic Council Prize in Literature in 2016. This novel is made of the same calibre and is also a worthy candidate for the prize.”
Litteratursiden (DK)

“Swedish journalist and author Alex Schulman directs the drama The Survivors with an impressive sense for suspense and shifts in scenes. The story of three men who were once children in the same dysfunctional family keeps its secrets so close that reading it evolves into an intense close scrutiny. […] But it is not the narrative technique that ends in an ambush of blinking blue lights that is what’s most remarkable about Schulman’s novel – the veiled tragedy becomes almost too surprising. Instead, it is his fine ear for dissonance, for distant death. […] The novel rises to a breathtaking story of one family’s disintegrating microbiology, while nature’s own microbiology decays in turn. […] Ominous, grandiose – beautiful.”
Politiken, 5/6 Stars (DK)

“It has been long since I was this hooked by a novel. Here are four reasons why The Survivors ought to be the holiday read of 2021. The first reason is the most difficult to reveal without giving away the genius plot. […] The second reason is the craftsmanship. The narrative shifts smoothly between present and past. […] An then the third reason: Schulman can write. […] Beautiful scenes that are authentic and spot on can be found on every page. […] Finally, reason four: the interplay of genres. What starts out as a seemingly relaxing holiday read quickly evolves into a bildungsroman that focuses on the universal function and (more than you would like) dysfunction of a family. […] The end result is a chilling cocktail of loneliness, solipsism, and yet also of diffusive empathy.”
De Standaard (NL)

The Survivors is not just another coming of age drama about a family plagued by alcohol abuse and aggression. It is more subtle: each son deals in his own way with what must be a very confusing upbringing and when they are adults their paths cross or run parallel, but in the smallest actions there are traces of the past and of an unspoken tragedy. With an effortlessness that is enviable, this 45-years-old Swede proves that you don’t need a kilogram of paper to write an in-depth family chronicle. […] More than one scene from The Survivors will stay with the reader forever. Never again will you look at a fish in a frying pan in the same way, or a transformer cabinet, or a cooling swim in a lake. The not-a-word-too-much-or-too-little style reminiscent of Julian Barnes’ The Sense of an Ending, the nostalgia of Wallace Stegner’s Crossing to Safety. With The Survivors Schulman proves in his own way that not only can literature satisfy escapist hunger, but also bring it ruthlessly close to reality.”
Humo (NL)

“You will definitely be hooked by this tragic and sophisticated novel by Alex Schulman, about the loss of a family.”
Tzum (NL)

“This is an incredible story. The passion! The elusiveness! These young, endearing, intelligent lovers… and then the tyrant Stolpe, who acts like a prison guard between them! A mediocre writer would have trusted that the story itself would be enough, no matter how you put it in writing. But not Schulman. He writes with clarity, transparency, and purpose in the best of ways, and with a great sensitivity for building a story with small means. […] A pleasure to read.”
Dagens Nyheter (SE)

“A feverish hunt for the truth about Sven and, above all, about his grandmother Karin Stolpe that soon turns into one of the most beautiful and painful love stories that I have read in a long time. […] It is beautiful, it is sad, but above all it feels incredibly true. Grandmother Karin can stand straight and proud in her heaven.”
Sveriges Radio Kulturnytt (SE)

“Endlessly thrilling. […] This is a story about fierce passion, great love, and a fury that is both long-lived and dark. […] Schulman sets the scene, and with stylistically delicately means he constructs a compelling story. […] Burn All My Letters rings true, the kind of truth that transcends the blurry borderland between memoir and fiction. […] [Schulman] writes as if his life depended on it – every time.”
Expressen (SE)

“Schulman alternates between grand, tragic romance and his own hunt for truth in the archives – he is fortunate to be part of a family whose notes, journals, and works have been preserved for posterity. In between, we follow his childhood self visiting grandma and grandpa in 1988, and these are the best parts of the book, stylistically. The atmosphere – quickly shifting between warm, hot, cold, thrilling, and threatening, yet from the point of view of a teenager somehow familiar and comfortable – is extremely skillfully captured. […] I hope that he continues to write with the same heart and sincerity.”
Aftonbladet (SE)

“[Alex Schulman] proves himself to be a far better writer than his grandfather in his endeavour for insight, about himself as well as others. His story about how the passionate love between Karin and Olof came to an end but – as letters and other sources prove – never faded, is gripping and powerful.
Borås Tidning (SE)

“At the core of the novel is the ‘sexual attack’ on Sven Stolpe, as he himself described it, in the summer of 1932. In the hands of Schulman, this so-called attack becomes a sad and beautiful love story.”
Göteborgs-Posten (SE)

“I eagerly follow Schulman’s winding road backwards through time. His style is distinct and he elegantly builds his narrative in three timelines. He is at his very best when he is writing about that which is self-experienced, in the chapters set in 1988. Burn All My Letters is an extremely enjoyable read, gripping, and thrilling in its own, subdued way.”
Uppsala Nya Tidning (SE)

“A captivating read.”
Mittmedia (SE)

“An incredibly fine novel.”
SVT Babel (SE)

“This is incredibly good.
Dagens Nyheter (SE)

“Skillfully portrayed, Schulman takes us very close to the pain.”
Svenska Dagbladet (SE)

“Sad and moving.”
Expressen (SE)

“Heart-breaking, clear-sighted, and powerful.”
Aftonbladet (SE)

“Straightforward, honest, and emotional from start to finish.”
Upsala Nya Tidning (SE)

“An incredibly sad book, but also unusually moving.”
Hufvudstadsbladet (FI)

Forget Me is not just a therapeutic project where the author comes to terms with himself and his childhood. The book will without a doubt be a comfort to anyone with the same background, and give greater understanding to those of us who are fortunate enough to have a different story.”
Jyllands-Posten (DK)

“Schulman writes with care about a toxic and tormented mother, without ever making it too heavy to take part of and – be it autofiction or not – that’s no minor feat.”
Politiken (DK)

“It’s fully understandable that Forget Me was named Book of the Year in Sweden in 2017. Firstly, the book is convincingly well-written, and secondly, it fits perfectly into a tradition of recently published books where children confront their parents and/or their childhood. This is about a son’s relationship to his alcoholic mother. […] Forget Me is highly recommendable, but not for the faint-hearted.”
Kristeligt Dagblad (DK)

“A grand, poignant book, written with searing finesse.”
Femina (DK)

Forget Me is a complex declaration of love from a son to his mother. It is also a tale of atonement, and of the labor of forgiving a person who has forgotten: who cannot apologize for what she does not remember herself.”
Information (DK)

“A brilliant portrayal of what it’s like to become a spectator of a loved one who ruins their life through addiction.”
Magasinet Liv (DK)

“A fine portrayal of the double nature of family, both warm and captivating.”
– Aftonbladet

“Well-written and captivating.”
– Dagens Nyheter

“Alex Schulman is a very powerful and unusual writer because he is so very empathetic and self-revealing (…) Schulman is sharp and observant.”
Västerbottens Folkblad (SE)

“Alex Schulman has done it again – written a novel from his heart.”
S-Bladet (SE)

“This is a book filled with love, thoughts and reflections.  Alex Schulman writes in a beautiful way how he changes through his love for another, his wife Amanda. […] He writes well and with ease.”
Mariestads-Tidningen (SE)

“Memorable and romantic.”
Östran (SE)

“Schulman is not afraid of making fun of himself, and to write about what is embarrassing and weak. At the same time he has a sense of pace and tone. It’s very pleasant to follow this unpretentious and elegant contemporary writer.”
Nina Lekander, Expressen (SE)

“Schulman dares to be brutally self-revealing. Laid bare are both his desperation and mad love for Amanda. It’s a sweet love story. And a very funny one: I giggle, and even laugh out loud.”
Kattis & Company (SE)

“Moving without being sentimental. There’s a genuine warmth and humor.”
Östgöta-Corren (SE)

“Romance, anxiousness, deep love. When love enters Alex Schulman’s life, everything changes. His light pen and the delightful narrative makes it easy to become caught up.”
Allas (SE)



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Burn All My Letters by Alex Schulman

Burn All My Letters by Alex Schulman is being adapted into a feature film by SF Studios to premiere in 2022.

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2020 – Shortlisted for Svenska Dagbladet‘s Literature Prize for The Survivors
2020 – Shortlisted for the Adlibris Award for The Survivors
2017 – Book of the Year Award for Forget Me

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